V/A Pop Ambient 2010 (Kompakt) cd 15.98
Finally, the latest installment of pop ambience is here, a record we look forward to all year. Very few series, whether they be compilations, TV shows, movies, whatever, can make it to 10 installments, at least not without the quality suffering big time, but the Pop Ambient series continues to be amazing. And untouchable. We'd say that every one is better than the last, but that wouldn't be entirely true, since every single one has been equally fantastic. The 2009 installment introduced some new blood, some non Kompakt folks dabbling in their own ambient pop, like Tim Hecker and The Fun Years, along with the usual suspects. But for 2010, Kompakt decided to keep it in the family, lots of familiar names: The Orb, Mikkel Metal, Thomas Fehlmann, Dettinger, Andrew Thomas, Wolfgang Voigt, DJ Koze, but with a couple tracks from Brock Van Wey, whose Echospace imprint owes no small debt to Kompakt, and one from new to us, Marsen Jules, with maybe the best song on the disc.
Jules' "The Sound Of One Lip Kissing" starts things off with surprisingly dark and ominous take on the Pop Ambient sound, a gorgeously grim, lopped slow motion creep, all deep tones, lots of space, and a spare skeletal rhythm, all murky and warm and washed out, the various tones looped and stuttered into blurred sonic ripples, cinematic and darkly epic, we find ourselves playing that one track over and over and over.
The two Brock Van Wey tracks take the post Chain Reaction minimal space dub sound of Echospace, and gives it a shimmery, sun dappled pop ambient overhaul, bits of guitar, and fragmented voices, wreathed in delay, and looped into ethereal dreamscapes, Van Wey's 17 minute closer "Will you Know Where to Find Me" begins as a muted blurry low end drift, but soon explodes into a glorious prismatic shoegaze blowout, that sounds a bit like a drumless M83, nearly static, a pulsing cloud of bleary eyed female vox and processed buzz, so epic and gorgeous.
In between lurks plenty of soft focus beauty, from glistening, echo drenched slowcore dream pop, to swirling seas of hiss and crackle and submerged melody, to stuttery high end drones, to blurred gauzy piano driven abstract ambient ballads, to cinematic sting laden drifts, to super intense and emotional looped dronescapes, to hushed outer space minimal psychedelia, to blissed out slow motion mesmer. Another utterly gorgeous and transcendently divine ambient pop music, which will just have to hold us over until 2011...
For vinyl folks, fear not, the lp version includes the cd as well...
MPEG Stream: MARSEN JULES "The Sound Of One Lip Kissing"
MPEG Stream: TRIOLA "Schildergasse"
MPEG Stream: THE ORB "Glen Coe"
MPEG Stream: BROCK VAN WEY / BVDUB "Will You Know Where To Find Me"

V/A Pop Ambient 2010 (Kompakt) lp+cd 15.98
Finally, the latest installment of pop ambience is here, a record we look forward to all year. Very few series, whether they be compilations, TV shows, movies, whatever, can make it to 10 installments, at least not without the quality suffering big time, but the Pop Ambient series continues to be amazing. And untouchable. We'd say that every one is better than the last, but that wouldn't be entirely true, since every single one has been equally fantastic. The 2009 installment introduced some new blood, some non Kompakt folks dabbling in their own ambient pop, like Tim Hecker and The Fun Years, along with the usual suspects. But for 2010, Kompakt decided to keep it in the family, lots of familiar names: The Orb, Mikkel Metal, Thomas Fehlmann, Dettinger, Andrew Thomas, Wolfgang Voigt, DJ Koze, but with a couple tracks from Brock Van Wey, whose Echospace imprint owes no small debt to Kompakt, and one from new to us, Marsen Jules, with maybe the best song on the disc.
Jules' "The Sound Of One Lip Kissing" starts things off with surprisingly dark and ominous take on the Pop Ambient sound, a gorgeously grim, lopped slow motion creep, all deep tones, lots of space, and a spare skeletal rhythm, all murky and warm and washed out, the various tones looped and stuttered into blurred sonic ripples, cinematic and darkly epic, we find ourselves playing that one track over and over and over.
The two Brock Van Wey tracks take the post Chain Reaction minimal space dub sound of Echospace, and gives it a shimmery, sun dappled pop ambient overhaul, bits of guitar, and fragmented voices, wreathed in delay, and looped into ethereal dreamscapes, Van Wey's 17 minute closer "Will you Know Where to Find Me" begins as a muted blurry low end drift, but soon explodes into a glorious prismatic shoegaze blowout, that sounds a bit like a drumless M83, nearly static, a pulsing cloud of bleary eyed female vox and processed buzz, so epic and gorgeous.
In between lurks plenty of soft focus beauty, from glistening, echo drenched slowcore dream pop, to swirling seas of hiss and crackle and submerged melody, to stuttery high end drones, to blurred gauzy piano driven abstract ambient ballads, to cinematic sting laden drifts, to super intense and emotional looped dronescapes, to hushed outer space minimal psychedelia, to blissed out slow motion mesmer. Another utterly gorgeous and transcendently divine ambient pop music, which will just have to hold us over until 2011...
For vinyl folks, fear not, the lp version includes the cd as well...
MPEG Stream: MARSEN JULES "The Sound Of One Lip Kissing"
MPEG Stream: TRIOLA "Schildergase"
MPEG Stream: THE ORB "Glen Coe"
MPEG Stream: BROCK VAN WEY / BVDUB "Will You Know Where To Find Me"

V/A Pop Ambient 2011 (Kompakt) cd 15.98
A new Pop Ambient collection is always exciting news around here, perhaps our favorite single ongoing series of electronic music compilations EVER. And goddamn if we don't reference the Pop Ambient sound in about half our reviews. But it's inevitable really, after all the sound we've come to know as Pop Ambient is just so gorgeous and glorious, washed out and hazy and gauzey and dreamlike. It's techno without the beats, it's new age without the schmaltz, it's dark deep listening, but it's also ethereal and ephemeral and the sort of sound that ends up being the soundtrack to so much of our lives, so soothing and mesmerizing and hypnotic, dreamlike sounds that entrance, and lull and transport us to some other place, thus, a new batch of Pop Ambient jams is some soothing sonic balm for our weary musical souls...
The biggest surprise this time around might be opening with a track by ANBB, the collaborative duo of Alva Noto and Blixa Bargeld of Einsturzende Neubaten, whose music, even here, is barely Pop Ambient, the sound is muted and buzzy, electronic and abstract, a slow building drone, that's more ominous than dreamy, very soundtracky and dramatic, with deep electronic pulses, and then right near the end, vocals come in, and the song is transformed into some strange bit of haunting electro cabaret. But that's about as weird as it gets, the rest of the record slips back into the swirling shimmering electronic dreamscapes we've come to love, pianos unleash flurries of notes that drift beneath soft swells of muted buzz and skittery barely there rhythms, warm whirring chordal streaks are layered and stretched out into beautiful sun dappled blurscapes, full on daydreamy fuzz pop like a druggier driftier M83 meanders and drifts like some after school special playing in slow motion, the standout track might be "30.6.1881", by Crato, who we'd never heard before, whose take on Pop Ambience is on the dark side, mixing a little heroin house underwater pulse to the otherwise whirring ethereal blur, fantastically warped and blurred and in places surprisingly noisy. But other than that and the opener, the rest of the record finds the Pop Ambient stable at their most blissed out, their most woozy and soft focus, featuring some of the usual culprits: Thomas Fehlmann, Jurgen Paape, Mikkel Metal, Wolfgang Voigt, Triola, as well as some fresh faces: Bhutan Tiger Rescue, Crato, Bvdub, Barnt and more.
As always, absolutely, utterly and wholeheartedly recommended, total bliss out dreaminess for sure, and if you're just discovering the world of Pop Ambience, prepare to become totally obsessed, and with a desire to track down the first TEN volumes as well...
MPEG Stream: ANBB "Bernsteinzimmer"
MPEG Stream: JURGEN PAAPE "Ein Schoner Land"
MPEG Stream: CRATO "30.6.1881"
MPEG Stream: THOMAS FEHLMANN "Titan"

V/A Pop Ambient 2011 (Kompakt) lp + cd 15.98
NOW ON VINYL. Includes a cd version of the record as well...
A new Pop Ambient collection is always exciting news around here, perhaps our favorite single ongoing series of electronic music compilations EVER. And goddamn if we don't reference the Pop Ambient sound in about half our reviews. But it's inevitable really, after all the sound we've come to know as Pop Ambient is just so gorgeous and glorious, washed out and hazy and gauzey and dreamlike. It's techno without the beats, it's new age without the schmaltz, it's dark deep listening, but it's also ethereal and ephemeral and the sort of sound that ends up being the soundtrack to so much of our lives, so soothing and mesmerizing and hypnotic, dreamlike sounds that entrance, and lull and transport us to some other place, thus, a new batch of Pop Ambient jams is some soothing sonic balm for our weary musical souls...
The biggest surprise this time around might be opening with a track by ANBB, the collaborative duo of Alva Noto and Blixa Bargeld of Einsturzende Neubaten, whose music, even here, is barely Pop Ambient, the sound is muted and buzzy, electronic and abstract, a slow building drone, that's more ominous than dreamy, very soundtracky and dramatic, with deep electronic pulses, and then right near the end, vocals come in, and the song is transformed into some strange bit of haunting electro cabaret. But that's about as weird as it gets, the rest of the record slips back into the swirling shimmering electronic dreamscapes we've come to love, pianos unleash flurries of notes that drift beneath soft swells of muted buzz and skittery barely there rhythms, warm whirring chordal streaks are layered and stretched out into beautiful sun dappled blurscapes, full on daydreamy fuzz pop like a druggier driftier M83 meanders and drifts like some after school special playing in slow motion, the standout track might be "30.6.1881", by Crato, who we'd never heard before, whose take on Pop Ambience is on the dark side, mixing a little heroin house underwater pulse to the otherwise whirring ethereal blur, fantastically warped and blurred and in places surprisingly noisy. But other than that and the opener, the rest of the record finds the Pop AMbient stable at their most blissed out, their most woozy and soft focus, featuring some os the usual culprits: Thomas Fehlmann, Jurgen Paape, Mikkel Metal, Wolfgang Voigt, Triola, as well as some fresh faces: Bhutan Tiger Rescue, Crato, Bvdub, Barnt and more.
As always, absolutely, utterly and whole heartedly recommended, total bliss out dreaminess for sure, and if you're just discovering the world of Pop Ambience, prepare to become totally obsessed, and with a desire to track down the first TEN volumes as well...
MPEG Stream: ANBB "Bernsteinzimmer"
MPEG Stream: JURGEN PAAPE "Ein Schoner Land"
MPEG Stream: CRATO "30.6.1881"
MPEG Stream: THOMAS FEHLMANN "Titan"

V/A Pop Ambient 2012 (Kompakt) cd 16.98
It's that time again, Kompakt's yearly installment in their Pop Ambient series, a release we ALWAYS look forward to and one that typically immediately becomes out new favorite sleeping / chillout / late night listen, and this one looks to be no different. In that respect at least. One way it IS different this time around is the opening track. More on that in a second. For folks new to Pop Ambience, it's basically like minimal electronica with the beats stripped way, leaving just lush expanses of whoosh and shimmer, blurred melodies and abstract ambience. It's also become a sort of go to descriptor for that sound we love so much, the sort of hazy, gauzy, washed out soundscaping of folks like Tim Hecker and the Caretaker and the like, with these comps offering up new tracks by old faves, and every time at least one or two new discoveries. The big discovery this time around for us, and the one responsible for the above mentioned opening track, goes by the name of Mohn, and delivers what might be the darkest, heaviest Pop Ambient track yet, a thick hazy landscape of blurred, crumbling greys and blacks, lots of space, abstractly rhythmic, almost doomy, dense gristly swells, that remain warmly melodic, but still hauntingly ominous. It's a gorgeous cinematic creep, super dynamic, and darkly moody, growing more spare and skeletal near the end, we've been listening to just this track over and over, and while it's the first we've really heard from Mohn, we're definitely dying to hear more.
The comp returns to more familiar ground with some more familiar names after that, Superpitcher, Wolfgang Voigt, Triola, Marsen Jules, Simon Scott, and while the rest of the tracks here are much prettier, and way less dark, and more traditionally pop ambient, they still retain a bit of that ominous undercurrent, usually in the form of more melancholic melodies, with lush shimmers drifting amidst sonic shadows, repeated motifs adding just a teeny bit of cinematic tension. Superpitcher's lush and lovely "Jackson" might be one of the most gorgeous things we've heard from him, all processed voices and looped pianos, repetitive and cyclical and totally mesmerizing. Another new name Morek offers up a bit of dark and gristly buzz, wreathed of course in lustrous swirls of haze and shimmer, while Triola weaves a dreamlike expanse of swoonsome drift, and almost post rock sounding brood. Voigt's track here sounds like a lost soundtrack for some acid drenched Tim Burton film, like the tape is warping and undulating before your very ears, transforming beauty into something a bit darker and shadowy, while Jules adds what might be the only actual beats here, but in the form of reverbed and blurred skitters, the whole thing super dense, dubbed out and dreamy. Simon Scott weaves a sprawling bit of string laden soundtracky drift, evoking images of rainswept streets and dark mysterious cities, until the new-to-us Loops Of Your Heart finishes things off with a wistful bit of gauzy guitarscaping, all sweetly tangled melodies, and subtly processed atmospheres, everything wreathed in a streaks of sonic gristle and some soft focus cosmic swirl. So lovely.
MPEG Stream: MOHN "Manifesto"
MPEG Stream: SUPERPITCHER "Jackson"
MPEG Stream: TRIOLA "Richmodis"
MPEG Stream: MARSEN JULES "Swans Reflecting Elephants"

V/A Pop Ambient 2012 (Kompakt) lp 19.98
It's that time again, Kompakt's yearly installment in their Pop Ambient series, a release we ALWAYS look forward to and one that typically immediately becomes out new favorite sleeping / chillout / late night listen, and this one looks to be no different. In that respect at least. One way it IS different this time around is the opening track. More on that in a second. For folks new to Pop Ambience, it's basically like minimal electronica with the beats stripped way, leaving just lush expanses of whoosh and shimmer, blurred melodies and abstract ambience. It's also become a sort of go to descriptor for that sound we love so much, the sort of hazy, gauzy, washed out soundscaping of folks like Tim Hecker and the Caretaker and the like, with these comps offering up new tracks by old faves, and every time at least one or two new discoveries. The big discovery this time around for us, and the one responsible for the above mentioned opening track, goes by the name of Mohn, and delivers what might be the darkest, heaviest Pop Ambient track yet, a thick hazy landscape of blurred, crumbling greys and blacks, lots of space, abstractly rhythmic, almost doomy, dense gristly swells, that remain warmly melodic, but still hauntingly ominous. It's a gorgeous cinematic creep, super dynamic, and darkly moody, growing more spare and skeletal near the end, we've been listening to just this track over and over, and while it's the first we've really heard from Mohn, we're definitely dying to hear more.
The comp returns to more familiar ground with some more familiar names after that, Superpitcher, Wolfgang Voigt, Triola, Marsen Jules, Simon Scott, and while the rest of the tracks here are much prettier, and way less dark, and more traditionally pop ambient, they still retain a bit of that ominous undercurrent, usually in the form of more melancholic melodies, with lush shimmers drifting amidst sonic shadows, repeated motifs adding just a teeny bit of cinematic tension. Superpitcher's lush and lovely "Jackson" might be one of the most gorgeous things we've heard from him, all processed voices and looped pianos, repetitive and cyclical and totally mesmerizing. Another new name Morek offers up a bit of dark and gristly buzz, wreathed of course in lustrous swirls of haze and shimmer, while Triola weaves a dreamlike expanse of swoonsome drift, and almost post rock sounding brood. Voigt's track here sounds like a lost soundtrack for some acid drenched Tim Burton film, like the tape is warping and undulating before your very ears, transforming beauty into something a bit darker and shadowy, while Jules adds what might be the only actual beats here, but in the form of reverbed and blurred skitters, the whole thing super dense, dubbed out and dreamy. Simon Scott weaves a sprawling bit of string laden soundtracky drift, evoking images of rainswept streets and dark mysterious cities, until the new-to-us Loops Of Your Heart finishes things off with a wistful bit of gauzy guitarscaping, all sweetly tangled melodies, and subtly processed atmospheres, everything wreathed in a streaks of sonic gristle and some soft focus cosmic swirl. So lovely.
MPEG Stream: MOHN "Manifesto"
MPEG Stream: SUPERPITCHER "Jackson"
MPEG Stream: TRIOLA "Richmodis"
MPEG Stream: MARSEN JULES "Swans Reflecting Elephants"

V/A Pop Ambient 2013 (Kompakt) cd 16.98
Of the now thirteen (!) volumes of Kompakt's Pop Ambient series, we've only ever made two of them Records Of The Week, at about three year intervals, which is a bit surprising considering how much we've dug them all, and the fact that the term itself, Pop Ambient, has become a frequent bit of aQ review shorthand we use all the time to describe the numerous variations of blissed out shimmer and dreamy washed out drift we can't seem to get enough of. And as with each past installment, this latest is another stunning collection of experimental ambient music, lush atmospheric electronica stripped of beats, the backgrounds pushed to the fore, abstract and hauntingly atmospheric, the lineup featuring a handful of familiar names, but some new faces as well. And another reason for making this latest Pop Ambient collection a ROTW, is that there seems to be a growing darkness in the sounds of these comps, a grim musical undercurrent that infuses these tracks with a brooding quality that most ambient music lacks, the artists pushing well past a sound that initially was simply a beatless Kompakt style techno, toward something that over the years morphed into fully fleshed out modern minimalism, expansive sprawls of cinematic soundscapery and gorgeous snippets of avant chamber music, but all retaining that sort of Pop Ambient haze, a soft focus murk that makes the music sound like it's being transmitted from some other world, or some other time.
Leandro Fresco starts things off with a gauzy bit of hushed shimmer, laced with what sound like alien field recordings, and pocked with haunting little sonar like pings, and wreathed in soft chordal swells. The vibe is very much like the soundtrack to some slow panning shot across a fog shrouded landscape, lit by the moon, and a sky full of flickering stars. Kompakt mainstay Michael Mayer follows up with a dark thrumming sprawl (remixed by another Kompakt regular Wolfgang Voigt), wedding a deep rumbling low end to a woozy looped susurrus, whispery and wispy, but shot through with a strangely sinister drone element, that lurks in the background, but gives the track some serious sonic malevolence. Jens-Uwe Beyer dials back the darkness, and unfurls a bit of slowly blossoming soft focus glimmer, the sound reminding us of Machinefabriek or Jasper TX, a slo-mo, melodic drift, all softly shifting overtones, and undulating layers, gauzy and darkly dreamlike. Triola delivers a strangely circus-like track, that conjures up images of a brightly lit carousel, viewed through a thick fog, a very Something Wicked This Way Comes vibe that is deftly molded into something much more playful and pretty.
Marsen Jules returns to the dark side, with a lush, layered landscape of long tones, of minimal percussion, and blurred melody, woven into a tense, slow building brood, before the sound bursts into a dense, percussive, almost doomlike lumber, almost like a fuzzy, soft focus, dreamdrift SUNNO))), crashing percussive bursts of swirling sound, surrounded by streaks of bleary hum and thrum, a darkly churning, hauntingly cinematic epic that is WAY to short. Mikkel Metal keeps it dark, introducing his track with a distorted churning rumble, laced with swirly psychedelic backwards swoops, and a clipped hissing pulse, the noise sculpted into majestic swells, the vibe blackened and industrial, building to a thick, caustic, but still woozy and washed out, climax of dense black swirl. Anton Kubikov brings things back into the light, but a grey, dying sun sort of light, wrapping reverbed piano in thick swaths of gauzey swirl and crumbling textures, sounding a bit like a lost Caretaker track, weathered and worn, melancholic and otherworldly. Wolfgang Voigt returns, this time with his own track, which plays like a collage of orchestras tuning up, simultaneously symphonic and cacophonous, a dizzying collage of tangled loops, of fuzzy textures, murky ambience, warbly melodies, flutes surface at one point, as do strings, not to mention some epic orchestral swells, but they all seem to be sinking into a gorgeous, whirring black sonic morass. Leandro Fresco lightens things up with his second track, sounding more traditionally Pop Ambient, all hazy, lush textures, slowly shifting, glimmering melodies, and softly pulsing overtones, again super cinematic, dreamily epic, gorgeously melodic, a sun dappled dreamdronedrift that definitely plays like the sonic denouement, the musical light at the end of this hauntingly dark tunnel. Which is followed up by the finale, another field recording flecked stretch of swirling electronics, and dark droning swells, adding shadow to the previous track's light, and then surprising us all but coalescing into an actual pop song, all strummed acoustic guitar, and echo drenched dreamy sad boy vox, all wreathed in softly swirling clouds of woozy thrum, and all manner of forest sounds and bird calls, pastoral but again, just slightly sinister. So good.
MPEG Stream: LEANDRO FRESCO "Cuando El Sol Grita La Manana"
MPEG Stream: MICHAEL MAYER "Sully (Wolfgang Voigt Mix)"
MPEG Stream: MARSEN JULES "Point Of No Return"
MPEG Stream: WOLFGANG VOIGT "Ruckverzauberung"
MPEG Stream: TERRAPIN "Cirrus Minor"

V/A Pop Ambient 2013 (Kompakt) lp+cd 19.98
Of the now thirteen (!) volumes of Kompakt's Pop Ambient series, we've only ever made two of them Records Of The Week, at about three year intervals, which is a bit surprising considering how much we've dug them all, and the fact that the term itself, Pop Ambient, has become a frequent bit of aQ review shorthand we use all the time to describe the numerous variations of blissed out shimmer and dreamy washed out drift we can't seem to get enough of. And as with each past installment, this latest is another stunning collection of experimental ambient music, lush atmospheric electronica stripped of beats, the backgrounds pushed to the fore, abstract and hauntingly atmospheric, the lineup featuring a handful of familiar names, but some new faces as well. And another reason for making this latest Pop Ambient collection a ROTW, is that there seems to be a growing darkness in the sounds of these comps, a grim musical undercurrent that infuses these tracks with a brooding quality that most ambient music lacks, the artists pushing well past a sound that initially was simply a beatless Kompakt style techno, toward something that over the years morphed into fully fleshed out modern minimalism, expansive sprawls of cinematic soundscapery and gorgeous snippets of avant chamber music, but all retaining that sort of Pop Ambient haze, a soft focus murk that makes the music sound like it's being transmitted from some other world, or some other time.
Leandro Fresco starts things off with a gauzy bit of hushed shimmer, laced with what sound like alien field recordings, and pocked with haunting little sonar like pings, and wreathed in soft chordal swells. The vibe is very much like the soundtrack to some slow panning shot across a fog shrouded landscape, lit by the moon, and a sky full of flickering stars. Kompakt mainstay Michael Mayer follows up with a dark thrumming sprawl (remixed by another Kompakt regular Wolfgang Voigt), wedding a deep rumbling low end to a woozy looped susurrus, whispery and wispy, but shot through with a strangely sinister drone element, that lurks in the background, but gives the track some serious sonic malevolence. Jens-Uwe Beyer dials back the darkness, and unfurls a bit of slowly blossoming soft focus glimmer, the sound reminding us of Machinefabriek or Jasper TX, a slo-mo, melodic drift, all softly shifting overtones, and undulating layers, gauzy and darkly dreamlike. Triola delivers a strangely circus-like track, that conjures up images of a brightly lit carousel, viewed through a thick fog, a very Something Wicked This Way Comes vibe that is deftly molded into something much more playful and pretty.
Marsen Jules returns to the dark side, with a lush, layered landscape of long tones, of minimal percussion, and blurred melody, woven into a tense, slow building brood, before the sound bursts into a dense, percussive, almost doomlike lumber, almost like a fuzzy, soft focus, dreamdrift SUNNO))), crashing percussive bursts of swirling sound, surrounded by streaks of bleary hum and thrum, a darkly churning, hauntingly cinematic epic that is WAY to short. Mikkel Metal keeps it dark, introducing his track with a distorted churning rumble, laced with swirly psychedelic backwards swoops, and a clipped hissing pulse, the noise sculpted into majestic swells, the vibe blackened and industrial, building to a thick, caustic, but still woozy and washed out, climax of dense black swirl. Anton Kubikov brings things back into the light, but a grey, dying sun sort of light, wrapping reverbed piano in thick swaths of gauzey swirl and crumbling textures, sounding a bit like a lost Caretaker track, weathered and worn, melancholic and otherworldly. Wolfgang Voigt returns, this time with his own track, which plays like a collage of orchestras tuning up, simultaneously symphonic and cacophonous, a dizzying collage of tangled loops, of fuzzy textures, murky ambience, warbly melodies, flutes surface at one point, as do strings, not to mention some epic orchestral swells, but they all seem to be sinking into a gorgeous, whirring black sonic morass. Leandro Fresco lightens things up with his second track, sounding more traditionally Pop Ambient, all hazy, lush textures, slowly shifting, glimmering melodies, and softly pulsing overtones, again super cinematic, dreamily epic, gorgeously melodic, a sun dappled dreamdronedrift that definitely plays like the sonic denouement, the musical light at the end of this hauntingly dark tunnel. Which is followed up by the finale, another field recording flecked stretch of swirling electronics, and dark droning swells, adding shadow to the previous track's light, and then surprising us all but coalescing into an actual pop song, all strummed acoustic guitar, and echo drenched dreamy sad boy vox, all wreathed in softly swirling clouds of woozy thrum, and all manner of forest sounds and bird calls, pastoral but again, just slightly sinister. So good.
MPEG Stream: LEANDRO FRESCO "Cuando El Sol Grita La Manana"
MPEG Stream: MICHAEL MAYER "Sully (Wolfgang Voigt Mix)"
MPEG Stream: MARSEN JULES "Point Of No Return"
MPEG Stream: WOLFGANG VOIGT "Ruckverzauberung"
MPEG Stream: TERRAPIN "Cirrus Minor"

V/A Pop Electronique (Spinning Wheel) cd 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
German collection of weird experimental electronic pop tunes -- all previously unreleased by the likes of Moog pioneer Jean Jacques Perrey, Jean Michel Herve, Amadeo Tommasi, and Pell Mell(!).

V/A Pop Made In France (Magic) cd 15.98
Subtitled Les Plus Grands Groupes De Rock Des Annees 70 En France, here's a 23 track collection of, indeed, swinging '70s French rock n' pop... we imported 'em directly from France just about as soon as we found out about this and scoped the track list. It's on the same label that brought us those Sixties Girls comps, as well as the now out of print Les Variations and Triangle anthologies, amongst other goodies.
Styles here vary, and not every track is a killer, but that's how comps go. We certainly found enough tres bon poppy psych, prog rock bombast, AM radio sunshine, melancholic balladry, glam production and fat beats and flutes and grooves and blues and more to enjoy, for sure! Some of it's seriously cookin', some of it's on the softer side, and either way for the most part we're falling for the combination of Gallic charm and '70 kitsch on display here.
There's some groups here we'd heard of and many more we hadn't. Here's the line-up: Triangle, Time Machine, Les Variations, Dynastie Crisis, Jupiter Sunset, Ange, Alan Jack Civilization, Zoo, Costa-Yared-Costa, Trust, Tai Phong, Presence, Doc Dail, Martin Circus, Alice, Ilous & Decuyper, Labyrinthe, Trianglophone, Starshooter, Pop Tops, Total Issue, and two "bonus instrumentaux" from Le System Crapoutchik and Pachyderm. Too bad there's not much info given in the cd booklet about all these.
MPEG Stream: TIME MACHINE "Turn Back Time"
MPEG Stream: ZOO "City Break Down"
MPEG Stream: ALICE "Le Roseau"
MPEG Stream: TOTAL ISSUE "Les Marins"

V/A Pop Romantique: French Pop Classics (Emperor Norton) cd 13.98
Intriguing collection of diverse folks doing versions of classics like "Si Tu Dois Partir": Apples in Stereo, Ivy, John Wesley Harding, Lloyd Cole, Heavenly, Magnetic Fields, Sukia, Air featuring Francoise Hardy, and The Ladybug Transistor featuring Kevin Ayers!

V/A Pop Yeh Yeh: Psychedelic Rock From Singapore & Malaysia 1964-1970 (Sublime Frequencies) cd 19.98
By now, we're used to the idea of rock n' roll in its sixties heyday as a GLOBAL phenomenon, kids everywhere, East and West, North and South, rockin' to that crazy beat. Thanks to the dedicated efforts of quite a few internationally-digging DJs and collectors, the past few years have been especially fruitful ones for reissues of far-flung rock artifacts on labels like Sublime Frequencies, Now-Again, and Soundway.
We've heard groovy groups from Turkey, Cambodia, Ghana, Thailand, India, Indonesia, and seemingly every place else. Certainly there's been a few releases that have delved into the scene in Malaysia and Singapore, but this fabulous new collection on Sublime Frequencies is THEE one to get if you want to learn about the great electric beat music being made by and for teenagers in that part of the world, circa 1964-1970.
Despite the conservative nature of Malaysian society, the rock n' roll revolution took root among its youth too. This Pop Yeh Yeh comp proves it! (The term "Pop Yeh Yeh", by the way, referring to rock music sung in Malay, was apparently derived from the "yeah yeah yeah" chorus of The Beatles' song "She Loves You", though it may have been another British band, Cliff Richard and The Shadows, that was the bigger influence on the nascent Malay rock scene.) While the kids there didn't get as wild in the streets as they may have elsewhere, with drugs and sex and all of that, they were still happy to let their hair down (if only just a bit) to make some sweet rock n' roll records. 26 such tracks are collected here, full of catchy melodies, fuzzy guitars, warbling organs... There's energetic dance numbers, and lovely ballads both. Some have the twang of surf music, others the sultry singers and lush arrangements of Hindi movie soundtracks, which were another big influence on Pop Yeh Yeh, besides Western pop rock and traditional Malay folk music forms.
This compilation is an obvious labor of love, years in the making, and can't be faulted for any lack of thoroughness. The physical product and depth of research set the bar pretty high for future collections of this type! It's a big package all right, colorful and informative. The tri-fold digipack contains not one but TWO thick booklets, they're both needed to contain all the extensive liner notes (book 1, a general essay on the history of rock n' roll in Malaysia and Singapore, plus lyrics to the songs on the cd; book 2, detailed write-ups on each and every track on the disc) plus tons of vintage photos of the sharp-dressed young men and women who made this delightful music, which despite all the interestin' reading, is still the main draw here after all! Another winner from Sublime Frequencies, guaranteed to put a smile on your face.
MPEG Stream: AZIZAH MOHAMED & ORKES NIRWANA "Syurga Idaman"
MPEG Stream: ADNAN OTHMAN & THE WANDERERS "Revolusi"
MPEG Stream: SITI ZAITON & THE TWILITES "Rindu"
MPEG Stream: NOOR HAMZAH & BAND MESRA "Sidia Siapa"

V/A Pop-Shopping Volume 1 (Crippled Dick Hot Wax) cd 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Another collection of sugary sweet pop from the sixties & seventies. This time the focus is aimed specifically at German television ads that aired between 1960 and 1975. Featuring Gert Wilden (Schulmadchen Report), Klaus Doldinger, Johnny Teupen, Christian Bruhn and many others. Would fit snugly in any record collection between Stereolab and the High Llamas.

V/A PopShopping Mixed Up (Crippled Dick Hot Wax) cd 11.98
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Another edition from this playful series. Warning: there are some painful easy listenin' tracks (for instance, track 3) that seem to have somehow escaped the quality control and the remix knife, and that are not even tolerable on the kitsch level. Nonetheless, many others kick some groovy ass butt, and are perfect for gettin' down and doin' the funky slide through the racks of your chosen chi-chi boutique. Frivolous Euro-fun. Like a revved-up, house-y Charles Wilp. Fans of Arling and Cameron... ahoy!

V/A Popshopping Vol. 2 (Crippled Dick Hot Wax!) cd 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Aaah, the wonder of advertising jingles! Cleverly, insidiously hooking the consumer through the ear. Love 'em or hate 'em, we've all caught ourselves pleasantly humming a tune only to realize it's for some junk food we'd never ever lay a hand on. Pizza on a bagel, anyone? Oops. But what if the melody was for a product from another country? You'd could hear and enjoy the music without visions of the product dancing in your head. Well, that's the case with the Pop Shopping Series from Crippled Dick Hot Wax! Twenty seven ultra-lively tracks from '60s and '70s German commercials. Not as tiki-lounge-y-centric as past like-minded compilations, this one runs the stylistic gamut. Embellished with plenty of playfulness - including but not limited to kooky horns and exuberant voice-overs. Check out the stand-out track "Shoe Shoe Twist"! You just might even hear a bit of "Goldfinger", the theme from "S.W.A.T." or Cat Stevens. Campy, kitchy goodness. Recommended.
RealAudio clip: HERMANN GEHLEN "Exposition K'71"
RealAudio clip: CHARLES NOWA "Super-Nowa-Jingles"
RealAudio clip: FISCHER /MALTZ "Shoe Shoe Twist"

V/A Popshopping Vol. 2 (Crippled Dick Hot Wax!) 2lp 18.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Aaah, the wonder of advertising jingles! Cleverly, insidiously hooking the consumer through the ear. Love 'em or hate 'em, we've all caught ourselves pleasantly humming a tune only to realize it's for some junk food we'd never ever lay a hand on. Pizza on a bagel, anyone? Oops. But what if the melody was for a product from another country? You'd could hear and enjoy the music without visions of the product dancing in your head. Well, that's the case with the Pop Shopping Series from Crippled Dick Hot Wax! Twenty seven ultra-lively tracks from '60s and '70s German commercials. Not as tiki-lounge-y-centric as past like-minded compilations, this one runs the stylistic gamut. Embellished with plenty of playfulness - including but not limited to kooky horns and exuberant voice-overs. Check out the stand-out track "Shoe Shoe Twist"! You just might even hear a bit of "Goldfinger", the theme from "S.W.A.T." or Cat Stevens. Campy, kitchy goodness. Recommended.
RealAudio clip: HERMANN GEHLEN "Exposition K'71"
RealAudio clip: CHARLES NOWA "Super-Nowa-Jingles"
RealAudio clip: FISCHER / MALTZ "Shoe Shoe Twist"

V/A Popular (Game Boy) cd 9.98

V/A Popular Electronics (Basta) 4cd box 59.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
What could be better than a cd of kitschy but cool early "popular and applied" electronic music, from back in the '50s? Four cds? Yep, that's right. This sumptuously-packaged Basta box set brings together four cds worth of music originally recorded in Holland at the Phillips Research Laboratories circa 1956-1963, some of it from collectable LPs with space-age titles like Fantasy in Orbit and Song of the Second Moon, and some of it recently discovered and previously unreleased. Historical as heck and fun to listen to, too! In addition to the four discs, this box contains *seven* colorfully illustrated and info-crammed booklets along with posters/fold-outs of musical scores, schematics, and a timeline. In total, more than 180 pages of liner notes, photos, etc. Wow. Super deluxe indeed. These composers -- Henk Badings, Kid Baltan, and Tom Dissevelt -- are legends to some in the electronic music community today, and on the strength of these recordings ought to be as well-known as Pierre Henry, Tod Dockstader, Jean-Jacques Perrey, Gershon Kingsley, Raymond Scott and other AQ-faves in the 'pioneers of electronica' genre. It's a veritable cornucopia of treats here, too much to digest (or review) in a few listens...but well worth investigating! The superb graphics and mucho reading pleasure are but bonuses to go with the alternately clever, evocative, innovative, intriguing, absurd, etc. music found on the discs.
MPEG Stream: HENK BADINGS "Conflict, Reprise (Arioso)"
MPEG Stream: TOM DISSEVELT "Spearhead"

V/A Populare Judische Kunstler: Berlin / Hamburg / Munchen (Trikont) 2cd 21.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Ich habe ein Problem. Ich spreche nur sehr wenig Deutsch! Or more accurately, I can't speak a lick of it and Winni (AQ pal and native speaker of German) ain't around to help me out with this. Funny how when I need the guy to help me with 80+ pages of German liner notes to translate, the guy is like totally scarce. Actually, between these two collections and three separate booklets there does exist three pages of English translation (each one on the back of each booklet.) The 72 tracks on these two sets collect recordings from the Jewish communities that existed in Vienna (Wien), Berlin, Hamburg and Munich prior to the holocaust. The tracks date back as early as 1903 on up to 1936. The music on the disc is a mix of either piano or orchestra accompanied songs (some male, some female, some choral) with a handful of spoken tracks thrown in for good measure.
RealAudio clip: APLAR, GITTA "La Bella Tangolita"
RealAudio clip: GIALDINI, GUIDO "Tamelan"

V/A Populare Judische Kunstler: Wien (Trikont) cd 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Ich habe ein Problem. Ich spreche nur sehr wenig Deutsch! Or more accurately, I can't speak a lick of it and Winni (AQ pal and native speaker of German) ain't around to help me out with this. Funny how when I need the guy to help me with 80+ pages of German liner notes to translate, the guy is like totally scarce. Actually, between these two collections and three separate booklets there does exist three pages of English translation (each one on the back of each booklet.) The 72 tracks on these two sets collect recordings from the Jewish communities that existed in Vienna (Wien), Berlin, Hamburg and Munich prior to the holocaust. The tracks date back as early as 1903 on up to 1936. The music on the disc is a mix of either piano or orchestra accompanied songs (some male, some female, some choral) with a handful of spoken tracks thrown in for good measure.
RealAudio clip: LEOPOLDI, HERMANN & BETJA MILSKAJA "Frauen Sind Zum Kussen Da"
RealAudio clip: BAUER, JOSEF "Umgebrungen"

V/A Porn Beats (Dust2Dust) cd 17.98
"Electronica erotica" with Mike Flowers, The Mellowtrons, others. Unlike the Vampyros Lesbos compilations, these are contemporary artists performing what to them equals sleazy listening (with lots of beats).

V/A Porno Groove (Secret Stash) lp 22.00

V/A Portable Supersound (Smalltown Supersound) cd 12.98
We really shoulda listed this comp a few weeks ago, since it's a sampler of all the cool new stuff out or about to be out on Norway's happenin' Smalltown Supersound label, some of which wasn't yet released when we first got this in. But hey some of it still isn't, though this does feature a track from that rad Sunburned Hand / Four Tet collab Fire Escape we highlighted last list, and a cut from the blissed-out Arp debut that showed up last week (and is highlighted elsewhere this list). Yep, Smalltown Supersound has been kicking ass lately, and if you want to cheaply and conveniently check out the who, what, and why of that bold statement, this is a great means of doing so. Suffice to say, if post-punk krautrocky space disco tracks (each one here being some and/or all of the above) float yr boat, then The Portable Supersound is a smart purchase -- unless you're planning to buy *every* Smalltown Supersound release anyway, which isn't such a bad idea either. From Scandinavia to San Francisco and beyond, there's a dozen cutting edge yet kinda clubby artists on here to get excited about... besides the already abovementioned, this also includes tracks from Kim Hiorthoy, Bjorn Torske, 120 Days, Tussle, Lindstrom, Mental Overdrive, diskJokke, Toy, Lars Horntveth, and last but not least, Japan's The Lift Boys, aka EYE from the Boredoms, whose full-Bore TECHNO! track taken from a 12" vinyl-only release is a good reason to get this all by itself.
MPEG Stream: BJORN TORSKE "Hatten Passer"
MPEG Stream: THE LIFT BOYS AKA EYE "Anarchy Way"
MPEG Stream: 120 DAYS "Come Out, Come Down, Fade Out, Be Gone"

V/A Position Chrome (Chrome/Force Inc.) cd 15.98
Chrome records (the drum & bass subsidiary of Force Inc./Mille Plateaux) has set itself a course to out darken Ed Rush and No U-Turn. Stalking explosive breaks, every beat and drone drenched with teutonic menace...w/ Panacea, Problem Child, Goner and Heinrich at Hart.

V/A Position Chrome Retrospective, Mixed By Panacea (Position Chrome) cd 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Stylish AQ-hero Panacea remixes the Position Chrome back catalog! A tight efficient mix of brutalist techstep drum n' bass. All tracks are previously released except one new Panacea cut. Great booklet photos feature very glam and somewhat slimmed-down Herr Panacea posing in tight tank tops & leather pants, with a spiked wristband to boot. Very cute.

V/A Post-Asiatic: Lost War Dream Music (Urck) 2cd 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
We've been meaning to start stocking stuff from the Urck label for a while now. They had sent us a bunch of discs by a band with the strange name of Hop-Frog's Drum Jester Devotional, and to be honest at first we were fearing the worst, yeah we know, don't judge a book by its cover or a band by it's name, but we often judge band's by their names and it usually works out pretty well for us, Bathtub Shitter, Fuck I'm Dead, Pocohaunted, we could go on, but to be totally honest we were sort of expecting some sort of hippy jam band, you know hackey sacks and dayglo jester hats, but thankfully, we couldn't have been more wrong. The sound was devotional for sure, and the focal point was certainly drums, but the sound was more tribal and ethnic, spiritual and dark, more along the lines of Muslimgauze, lots of samples and voices, intricate rhythms, hypnotic and trancey.
So we will eventually review a record proper from Hop-Frog's Drum Jester Devotional, but we figured an even better place to start would be this brand new double disc compilation, featuring lots of bands on the Urck label, as well as a whole bunch of bands we already dig.
The comp is called Post-Asiatic Lost War Dream Music and is subtitled A Compilation Of Eastern Influenced Experimental Music, which pretty much nails it, but within that fairly broad descriptor, the bands veer into all sorts of varied sonic territory.
Right off the bat, there's a handful of bands who would have made owning this comp worthwhile all on their own, Amps For Christ, who offer up a gorgeous sprawling nearly 11 minute long jam, folky and lilting, guitars and sitars woven into drifting dreamlike harmonies, the melodies sunny and wistful, all very free and abstract, but gorgeous and we would have been happy to hear this track stretched out to fill an entire record. Muslimgauze does a stripped down, pure rhythm track, shuffling skittering drums, looped and cyclical, very hypnotic, and very very abstract. Neung Phak deliver a blissy slab of laid back psychpop, whirring organ, simple subtle drumming, twangy guitar, all wrapped around a super catchy Eastern melody. Experimental guitarist Bill Horist delivers some super spare squeak and scrape, chime and clatter, shimmer and swell, eventually that minimal guitar is joined by some sort of fiddle, wailing out a lonesome tune. Z'ev joins up with someone called Ramona Ponzini, for a haunting metallic scrapescape peppered with tribal drumming and with creepy disembodied vocals. There's also several tracks from that amazing Indian Soundscapes record we reviewed a while back, as well as tracks from Soriah, Metal Rouge, Moe! Staiano and F-Space. But the bands we hadn't heard of are just as exciting as those we were already familiar with.
The aforementioned Hop-Frog's Drum Jester Devotional unfurls a drum heavy ceremony, all pounding tribalism, and buzzing steel strings, sounding very East Asian, another track that we would have loved to hear stretched out to fill up the whole disc. Venerable Showers Of Beauty Gamelan, is just that, a DIY gamelan, chiming and resonant, the melodies definitely Asian influenced, but also a bit Western, with many of the tones allowed to drone on and on, giving the track a slightly ominous buzz. C.O.T.A. weave a dark slab of tribal dark ambience, lots of rumble and buzz, a thick bassy pulse and shimmering sitar like strings. We definitely need to hear more from these guys. And we could go on and on and on. This is after all two discs packed with all sorts of amazing music, and a whole clutch of new bands to discover and probably knowing us (and you we'd imagine) decide we need to hear more of. Recommended for fans of any of the above mentioned bands obviously, or anyone looking for into dark, dreamy, buzzy, blissful, tribal sounds. Everytime we play this in the store, someone comes up to ask what it is. Obviously, way recommended.
Packaged in a super thick mini gatefold lp-style sleeve, with liner notes and credits inside.
MPEG Stream: AMPS FOR CHRIST "Happy New Year, Sibanjar"
MPEG Stream: NEUNG PHAK "Sadchatri 06"
MPEG Stream: MUSLIMGAUZE "Zahal End"

V/A Power & Responsibility (Leonardo Music Journal) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
This enchanced CD from the Leonardo Music Journal is playable as a normal audio CD and as CD-Rom with additional music, multimedia documents, and software from a number of academically inclined artists such as Phill Niblock, Elisabeth Schimana, Chris Brown, Terre Thaemlitz, Kim Cascone, Anne Wellmer, Audiorom, Sensorband, and many more.

V/A Power For Passion... (Dionysus) cd 14.98

V/A Power Up! Mutations & Mutilations of 8-Bit Hits (Dwell) cd 16.98
Nintendo theme music as performed by a bunch of video game addicted indie musicians! First up, is "The Legend Of Zelda (Overworld Theme)" tackled by supremely qualified for this sort of thing math/metal rockers The Fucking Champs. The mathiness continues with Upsilon Acrux (Rush n' Attack) and Ahleuchatistas (Bad Dudes), both prog rock bands who when not practicing their instrumental chops, must be glued to their gaming consoles. Then there's some artists with more of an electronica approach, also quite appropriate here, like Cripple Camp (Ghosts n' Goblins), Animal Style (Tetris), and Christopher Willits (Metroid). Doug McDiarmid of Anticon artists Why? provides a break from the plugged-in, caffienated craziness of some of these tunes with his pleasant piano rendition of the music from Marble Madness. Most far out is maybe Flossin (Kid 606 + Christopher Willits + Hella's Zach Hill, right?) with their spacey, psychedelic and chaotic version of "Castlevania". As with all tribute comps, there's some bands we hadn't heard of before, like Kindergarten Hazing Ritual (River City Ransom) and Twelve Handed Men Of Mars (more from The Legend Of Zelda)... but whoever they are, they know their Nintendo.
MPEG Stream: AHLEUCHATISTAS "Bad Dudes"
MPEG Stream: DOUG MCDIARMID "Marble Madness (Piano Medley)"
MPEG Stream: DEFENSIVE MODE "Mega Man 2 (Metal Man)"

V/A Powerpuff Girls: Heroes & Villains (Rhino) cd 14.98
Heads up super-popsters! Flying your way are Apples In Stereo, Cornelius, Komeda, Dressy Bessy, The Bill Doss (ex-Olivia Tremor Control), Frank Black, Bis, The Sugarplastic, Optiganally Yours, Shonen Knife, and Devo. Each with a song inspired by Blossom, Buttercup and Bubbles (cartoon characters if you didn't know). Puff up kids!

V/A Powerslaves: An Elektro Tribute To Iron Maiden (Angelmaker) cd 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Well, I suppose it had to happen. Or did it? And boy were we torn. On the one hand we really don't want to support this kind of thing. Electro versions of Iron Maiden songs?? But on the other hand, before even hearing it, we knew that we were gonna have to order a ton of 'em, and that we would ALL have to buy one. And as if to seal the deal, we threw it on the stereo the minute we got it, and within 15 seconds a customer was already at the counter telling us they NEEDED whatever we were playing. And our guess is that you're gonna need one too. I mean c'mon ELECTRO versions of IRON MAIDEN songs!! And the timing couldn't be more appropriate with the recent tragic passing of Anton Maiden, the original powerslave, who sang tunelessly over MIDI versions of Iron Maiden songs downloaded from his computer (which some of us liked even more than his singing...). And basically, this is just Anton Maiden with a way bigger budget. Which is a good thing. All those timeless riffs we love and adore played by fuzzed out analog synths and turned into buzzy alien melodies, the throbbing, unmistakable basslines of Steve Harris become burping squelches and rumbling pulses, and of course those dual lead guitar harmonies are transformed into wild squeaky squiggles. Does it work? Hard to say. It does sound great though. Funny and wild and fun and silly. We'd think they were taking the piss, but the liner notes take great pains to explain that the album 'was conceived with the greatest respect' and by having each artist pick their favorite Maiden song and album, often not the track they performed. There are a few familiar names here, Legowelt and Kitbuilders, but most of these artists are new to us (some other names: Captain Ahab, Rude 66, Maxx Klaxon, Ra-X, Imatran Voima, Luke Eargoggle...). The best track has to be Hidari / Platzgumer's Number Of The Beast, which starts so fucked up it's almost impossible to tell what song it is, and the drum programming is so fucked that the rhythm ends up being a damaged and stuttery mess of clicks and crunches. The vocals start out super vocoded and distorted, sounding quite alien / monsterlike, until the clean vocals kick in, and then the melody is sung weirdly, tuneless-y and strangely familiar a la Anton Maiden. Whatever reservations we had were definitely quelled once we heard this whole comp. How could they not be? And it's approved by original Maiden vocalist Paul Di'Anno himself. A fitting record of the week and for us, a fitting "moment of silence" for Anton Maiden. R.I.P.
MPEG Stream: HIDARI / PLATZGUMER "Number Of The Beast"
MPEG Stream: ACID JUNKIES "Wrathchild"
MPEG Stream: MR. VELCRO FASTENER "The Trooper"

V/A Powerslaves: An Elektro Tribute To Iron Maiden (Angelmaker) 12" 12.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
We haven't been able to get the cd version of Powerslaves recently (maybe someday, we hope) but here's a vinyl 12" with four tracks from that amazing tribute comp: Acid Junkies "Wrathchild", Luke Eargoggle "Mother Russia", Rude 66 "Killers", Legowelt "Run To The Hills". Up the Irons (electro-style)!
MPEG Stream: ACID JUNKIES " Wrathchild"

V/A Praeface (Praemedia) cd 11.98
One of the three new and not so new titles just in from the electronic music label Praemedia (Stars Like Fleas' Sun Lights Down On The Fence and Tim Perkis' Motive are the other two)! This comp features a wide variety of solo and collaborative IDM tracks by the aforementioned artists as well as Lance Grabmiller, Shannon Fields, The Gold Sparkle Band, Matt Lavelle, Ernesto Diaz-Infante, Mou, Lips!, HSoA, Lisle Ellis, Nanaqui, Quiet American, Martin Nieznanski, Tom Djll, Haco and AQ fave Wobbly. Much delightfully clickery, woozy sputtering, squelching and itchy glitchin' ensues!
MPEG Stream: WOBBLY AND MA++ INGALLS "I Think He's Serious"
MPEG Stream: HACO, LISLE ELLIS AND LANCE GRABMILLER "(Untitled)"

V/A Press Play (Instinct) cd 15.98
Down tempo electronica comp with stuff by DJ Cam, Kruder & Dorfmeister, Shinju Gumi (remixed by Kid Loco), Cujo, Koji Sekiguchi (remixed by DJ Cam), Tosca, a guy from Thievery Corp (the jazzy Exodus Quartet) and others... "Lusciously blunted" it says here.

V/A Primitive Finland (Northern Heritage) cd 10.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

V/A Princess Nicotine: Folk & Pop Music of Myanmar (Burma) Vol. 1 (Sublime Frequencies) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
If you have the Sublime Frequencies Nat Pwe DVD reviewed a few months back, then you at least have a rough idea of what you're getting yourself into here. But even if you're familiar with Burmese music, you'll find this compilation truly weird and wonderful. Unlike the handful of Burmese releases on Shanachie, this is a completely raw and unfettered, whole grain Burmese sonic assault. In other words: it's absolutely manic! At its most insane, it's akin to taking your standard off the wall Bollywood arrangement and running it through a prog rock or free jazz filter. Nasal double reed instruments parallel vocal lines, clashing cymbals emphasize every beat, while the pat wain (a set of rice paste tuned drums which encircle the performer) smacks out its own melody like a set of out of tune roto-toms. On the mellower side of things there's strange hallucinogenic Appalachia featuring sudden bursts of piano, interjecting banjo, violin, flute, horn and most oddly: sultry female vocals offset by distorted male vocals. There's also hazy semi-Hawaiian psychedelia, with piano and keyboards pounding out the occasional random chord progression. If you have to chose just one record to blow your mind this year, definitely make it this one!
MPEG Stream: MAR MAR AYE "Beautiful Town"
MPEG Stream: YANGON SEIN KYI MOE "The Tune of the Second Entertainment"
MPEG Stream: NI NI WIN SHWE "My Darling's Love Arrow"

V/A Princess Nicotine: Folk & Pop Music Of Myanmar (Burma), Vol. 1 (Sublime Frequencies) lp 25.00
The Sublime Frequencies vinyl reissue campaign continues. A few weeks ago, the long out of print Folk and Pop Sounds of Sumatra Vol. 1 cd was repressed on lp, and now another old fave, Princess Nicotine: Folk & Pop Music Of Myanmar gets the same treatment, pressed on vinyl, in a super deluxe full color gatefold sleeve. And while the cd remains out of print, this amazing sonic document is available again, at least for a limited time...
If you have seen the Sublime Frequencies Nat Pwe dvd, then you at least have a rough idea of what you're getting yourself into here. But even if you're not all that familiar with Burmese music, you'll find this compilation truly weird and wonderful. Unlike the handful of Burmese releases on other world music labels, this is something else entirely, a completely raw and unfettered, whole grain Burmese sonic assault. In other words: it's absolutely manic! At its most insane, it's akin to taking your standard, off-the-wall Bollywood arrangement and running it through a prog rock or free jazz filter. Nasal double reed instruments parallel vocal lines, clashing cymbals emphasize every beat, while the pat wain (a set of rice paste tuned drums which encircle the performer) smacks out its own melody like a set of out of tune roto-toms. On the mellower side of things there's strange hallucinogenic Appalachia featuring sudden bursts of piano, interjecting banjo, violin, flute, horn and most oddly: sultry female vocals offset by distorted male vocals. There's also hazy semi-Hawaiian psychedelia, with piano and keyboards pounding out the occasional random chord progression. So intense, and unique and utterly amazing. If you have to chose just one record to blow your mind, this could very well be THE ONE!
MPEG Stream: MAR MAR AYE "Beautiful Town"
MPEG Stream: YANGON SEIN KYI MOE "The Tune of the Second Entertainment"
MPEG Stream: NI NI WIN SHWE "My Darling's Love Arrow"

V/A Prins Thomas Presents: Cosmo Galactic Prism (Eskimo) 2cd 22.00
The latest Euro-dance burners from beardo Swedes Prins Thomas and his often collaborator Lindstrom have been pretty popular around here, and riding fast on the tail of their Reinterpretations album, we get this two disc mix from Prins Thomas that shows he's as good a compiler as he is producer. Featuring all kinds of unusual choices and sequences from bands we know and don't know in just about equal measure including Joe Meek, Holger Czukay, Hawkwind, Zombi, Boards Of Canada, Lindstrom, The Electric South (featuring Bob Lind), Glissandro 70, Bob James, Metalchicks, and Parliament among many many others. Keeping a proggy cosmic disco vibe that varies in pace but not in momentum, this is great for those long lit hot summer nights. Awesome!
MPEG Stream: THE ELECTRIC SOUTH "Sing"
MPEG Stream: HAWKWIND "City Of Lagoons"
MPEG Stream: VISNADI "Racing Tracks"
MPEG Stream: ZOMBI "Sapphire"
MPEG Stream: HONEYMOON KILLERS "Decollage"

V/A Prison Worksongs (Arhoolie) cd 14.98

V/A Process (Caipirinha Music) cd 14.98
Si Begg, Khan, DJ Cam, Panasonic's Mika Vainio, and others both contribute tracks to this compilation, and "describe the musical process beind the creation of their tracks" in the booklet.

V/A Prog Is Not A Four Letter Word (Delay 68) cd 16.98
Man, is Andy Votel our favorite DJ/mix complier or what?? (With Garreth Goddard/Cherrystones running a close second.) Obviously, Votel's got the record collection we wish we had... or are working on, but he's got the original LPs and 45s and we've just got the cd reissues. Anyway, his love of '60s and '70s obscure, international prog/psych/folk/funk is right up our alley. The Votel comps we've listed include AQ Record Of The Week honoree Vertigo Mixed, the amazing Welsh Rare Beat disc, and the Folk Is Not A Four Letter Word collection. Now here's the follow-up to that one, eagerly awaited 'round these parts, Prog Is Not A Four Letter Word. And you know how we love prog!
Though, Votel's definition of "prog" or "progressive rock" is deliberately loosey-goosey. Indeed, he pretty much wants to leave out what most people would consider prog -- famous bands like Yes, ELP, King Crimson, Mike Oldfield, Genesis, and their imitators... Not that we were expecting any of those to appear here, but we thought maybe Gnidrolog or Osanna might show up, or Magma or Le Orme. However, Votel's agenda is about the grooves, with a helping of fuzz, and the exotic weirdness factor of foreign-language vocals and ethnic influences too... the sometimes pretentious intellectual/conceptual aspects of prog aren't what is being celebrated here, nor symphonics or narrative suites or virtuoso keyboard solos or caped outfits... though we're sure Votel digs all that too. But this is more about tracks that are freaky and avantgarde yet rhythmic and hooky enough to be a DJ's hidden weapon. What you get here is some really obscure stuff from around the globe that *might* be "prog" rock (it's certainly not "regular" rock!), dating from 1969-1978, more or less prog's heyday. Pretty much the most prog-identified band on here is Britain's Egg (who are even featured doing a classical styled piece, "Fugue In D Minor"). They're in the company of a crazy crew of artists from the Continent and further afield, some we've heard of and many we haven't. Among the names we know, there's Jean-Claude Vannier (with a track from the amazing L'Enfant Assassin Des Mouches recently reissued and reviewed here last year), Bran from Wales (who also appear, with a different track, on Welsh Rare Beat), Poland's Breakout (who also were on the Folk Is Not A Four Letter Word comp), Krautrock jazz fusion act Embryo, Korea's wonderful San Ul Lim, Baris Manco and 3 Hur-el from Turkey (the latter with one of the best Turkish psych tracks EVER, "Omur Bitter Yol Bimez" from their Hurel Arsivi album), and France's Phillipe Bescombes. But we confess we'd never heard of Italy's Picchio Dal Pozzo, Poland's fierce and fuzzy Czerwone Gitary, or Yugoslavia's Drugi Nacin before, among others on here that leave us wanting to hear, and know, more! There are fairly informative liner notes, though, which is always appreciated. And album covers too! Recommended, 'specially if you're already a fan of the several comps of Votel's that we alluded to above, and the Cherrystones Rocks one, and the best Love, Peace & Poetry volumes and so forth...
MPEG Stream: ILLES " Nem Erdekel, Amit Mondsz"
MPEG Stream: EMBRYO "The Music Of Today"
MPEG Stream: CZERWONE GITARY "Coda"

V/A Proibidao C.V.: Forbidden Gang Funk from Rio de Janeiro (Sublime Frequencies) cd 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
The second of two new releases in Sublime Frequencies' ever expanding catalogue of 'world music'. The first, reviewed elsewhere on this list, is the wild Latin American psych rock vinyl sampler Latinamericarpet, one of the weirdest and wildest in the series so far. But this one is pretty weird and wild as well, but in a completely different way, though it's also Latin American.
Remember those Rio Baile Funk comps we reviewed a while back, killer mashups of Miami Bass, new wave, techno, top 40, all wrapped up into super dense and wild sexy dancefloor freakouts? Well this is similar in that this too is the music of the favelas, and features some of the same elements, but unlike the jubilant party vibe of the Rio Baile Funk stuff, this is much more stripped down, much more intense, and aggressive, and is closely linked to criminals, drugs, gangs, murder and mayhem.
Proibidao is the name given to an electronic funk which grew in popularity alongside the blossoming drug gangs in the nineties. The music is basically a stripped down Miami bass style rhythm, mesmerizing and tribal, there are not really any parts, just the drums looped over and over, while MC's and vocalists improvise over the top, toasting, howling, crooning, shouting, singing. Gang leaders set up big parties, hire DJ's and MC's do their thing, the tracks are often recorded and distributed as cd-r's or MP3's...
On first listen, we actually weren't all that into this, it just sounds like super simple stripped down electronic music with way too intense vocals over the top, but the closer you listen, the more you can hear traditional Brazilian musics incorporated into the jams, the sound becomes more and more musical, more powerful, on some tracks you can hear massive crowds responding with call and response vocals, there are lots of sirens, machine gun sounds, the rhythms are WAY down in the mix, offering up the simplest of frameworks for the sweatsoaked distorted vocals. And it IS all about the vocals, strident and urgent, intense and passionate, so much so that a lot of the time it ends up sounding almost like a Rio Baile Funk Fugazi!
Repetitive, hypnotic, stripped down and funky, but at the same time, dark and dangerous, mysterious and really intense and aggressive. Not necessarily recommended for your next dance party (unless there's something we don't know about your dance parties), but recommended nonetheless.
MPEG Stream: "Untitled Proibidao CV# 02"
MPEG Stream: "Untitled Proibidao CV# 03"
MPEG Stream: "Untitled Proibidao CV# 04"

V/A Project Blowed (Massmen) cd 14.98
Legendary So. Cal. hiphop collective from the early '90s, finally reissued. Incredibly deft lyrical flow from Aceyalone of Freestyle Fellowship, among others. Awesome!

V/A Project>Soundwave: An Exploration Into The Nature Of Sound (Special Music) cd 12.98

V/A Providence: 27.4.97 (Little Army, formerly known as Drug Racer) cdep 5.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
The 10" vinyl came out on UK's Earworm and here's the cd version of this all-star spacerock jam session that occured at last year's Terrastock festival in Providence, RI. You've got members of Flying Saucer Attack, Bardo Pond, Windy & Carl, and Azusa Plane doing what they know how to do so well.

V/A PSF & Alchemy: 20th Anniversary Live (PSF) cd 21.00
Pretty much our two favorite Japanese record labels are PSF and Alchemy. Responsible for documenting so much of the Japanese psych/improv/noise underground, Osaka's venerable Alchemy Records and Tokyo's equally long-running and crucial PSF label, have at last joined forces to celebrate their 20th anniversaries together. Two concerts were held last year and this disc is the resultant commemorative souvenir. It's packed with varied and exciting performances, some of 'em one-off collaborations between veterans of each label, for instance PSF's avant-folkster Kan Mikami dueting with Alchemy boss and noise/psych guitar maestro Jojo Hiroshige, or PSF experimental improv guitarist Kazuo Imai playing alongside Alchemy noiseniks Incapacitants. You'll also find PSF mascot Keiji Haino dueling for almost 15 minutes with fellow PSF guitarist Munehiro Narita (of High Rise). There's also tracks from Marble Sheep, L & friends, Go Hirano & Takashi Ueno, Exias-J, and Masayoshi Urabe and Junko (of Hijokaidan). Lots of dark, fucked up sounds without bounds for fans of both labels...
MPEG Stream: KEIJI HAINO & MUNEHIRO NARITA "live"
MPEG Stream: L & FRIENDS "live"

V/A Psych Bites Volume Two (Past & Present ) cd 17.98
The psych rock maven appropriately known as The Psychomaniac is back with another killer comp, one of the best we've heard from his comp-happy label in fact. Super groovy, super fuzzy, super psychedelic!! First off, though, you might be wondering, what happened to Psych Bites Volume One? Why start with the second volume in the series? Well there indeed is a Volume One, and it's probably very cool, but we haven't had a chance to check it out yet. Also that one's entirely devoted to Australian bands, so this new, geographically unfettered volume isn't precisely a sequel to the first. We'd like to review vol.1 too, but for the moment prefer to direct your attention to this disc, which has SO MUCH GOOD STUFF on it, it's kinda ridiculous. Stuff that, when you hear it, you'll be wondering, why haven't I heard this before? (Maybe you have, we knew a few of these tracks, but there's twenty of 'em here, so not to worry.) Recorded circa 1968-1974, with 1970 most heavily represented, and from all over the world, England, Germany (West -and- East), Holland, USA, Quebec, all the way to Nigeria, the unifying factor being only that these tracks are obscure classics to the max. And full of fuzz, let's not forget.
Let's touch on a few of the many highlights. The disc begins with a band with the bizarre name of Zappatta Schmidt, doing a horn-fueled, sweat-soaked, funky-drummed groover called "Someone In The Crowd" that's like if Otis Redding showed up on that old Chains and Black Exhaust comp... badass! That's followed by "Tomorrow Night", performed by the hopefully-named Chartbusters, more ye olde "hairy funk" with jamming organ, which might sound familiar though 'cause it's an Atomic Rooster cover, and a good one. We can't skip Spencer Mac's "Blues Up In Downtown", which keeps the party goin'. And that's followed by Milwaukee's Motown signings the Messengers telling us what it's like "In The Jungle"... good grief, we're mentioning ALL the tracks so far. Well, here's a few further highlights, though it's hard to choose, as you can see...
Gotta mention the kuriously monikered Kannibal Komix (aka Die Anderen) who offer up their klassic "Neurotic Reaction", which sounds like a cross between something by The Count Five and The Sweet, part freakbeat, part proto-glam, all unhinged and awesome. Heard it before on another comp or two, but always kool to hear it again. Another one we already knew was Ofo The Black Company's Afro-funk fuzz bomb "Allah Wakkbar" from '72 (a standout on the Love's A Real Thing comp from Luaka Bop, and also heard on Afrostrut's Nigeria 70 collection). But what's neat is that the almost as freaky flipside to that single, "Beautiful Daddy", is also included here too, new to us! (This disc also includes more Afro-rock from London-based Danta.) Madeline Chartrand's mesmeric "Ani-Kuni" we know we've heard somewhere before, as well, but can't remember where, so glad to have it here. Tranced out Native American chant meets space age psych, with some electric sitar thrown in for good measure. A treasure.
What else? There's the swinging sixties freakouts of Blackbirds 2000's "Let's Do It Together" and Janie's "Psycho", the latter being the sort of get everyone in the studio and get high and see what funny things wind up on the tape party that Kim Fowley was partial to, too. Oh, and this disc also provides a healthy dose of krautrockers: Frumpy, Krokodil, Orange Peel, and the prae-kraut pandaemonium of The Rattles. All good stuff. And the cd booklet provides notes on everything, plus full color graphix.
So, if you have been digging the comps done by the B-Music crew, or Psychic Circle, or similar various artists international fuzz-psych collections like Obsession, Neurotic Reaction, Cherrystone's Rocks, the best of those Electric Asylum comps (also put together by ol' Psychomaniac), etc., etc. then this is for you!
MPEG Stream: ZAPPATTA SCHMIDT "Someone In The Crowd"
MPEG Stream: KANNIBAL KOMIX "Neurotic Reaction"
MPEG Stream: MADELEINE CHARTRAND "Ani-Kuni"

V/A Psych Bites: Volume One (Past & Present) cd 17.98

V/A Psych Funk 101: A Global Psychedelic Funk Curriculum (World Psychedelic Funk Classics) cd 16.98
Looking at the cover of this comp, what catches our eye? Well, of course the words PSYCH and FUNK in big electric pink letters. Pretty much had us right there, we're easy like that. But then the fine print on the sticker on the front adds an extra tingle of excitement: "None of these tracks have ever been reissued"! So what we have here is a survey course on some obscure shit, an international collection of freaky, fuzzy, funky jams from the golden years, circa 1968-1975 or so, mostly from groups we'd never heard of before. The ones did know were a good sign, being super groovy and decidedly eccentric. (Though we do have to point out that at least a few of the cuts here actually have been reissued before, that's how we knew 'em!). Here's the lineup: Hunsu Ozkartal Orkestrasi (Turkey), Kukumbas (Nigeria), Mulatu Astatke feat. Belaynesh Wubante and Assegedetch Asfaw (Ethiopia), Kim Sun (South Korea), Petalouda (Greece), Mehr Pooya (Iran), Staff Carpenborg and The Electric Corona (West Germany), The Group (Italy), Armando Sciascia (Italy), Wadih Essafi (Lebanon), Omar Khorshid (Egypt), Metin H. Alatli (Turkey), George Garanian with The Melodiya Jazz Ensemble (Russia), and Eskaton (France). 14 tracks in all, all of 'em b to the a to the d to the ass. Get ready for plenty of percolating percussion, infectious bass lines, analog synth buzz, chicken scratch guitar, greasy organ, drugged out FX, and in many cases Middle Eastern or African or other 'exotic' ethnic elements as appropriate to their nation of origin. Highlights are almost impossible to pick. All the African stuff is killer (Ethiopiques fans take note), so are the Turkish tracks (you want weird? check out how the Metin H. Alatli cut somehow segues from Richard Strauss Also Sprach Zarathustra 2001: A Space Odyssey monolith music to stoned cocktail bellydance improv!!), so is everything else. We dig how eerieness and jazziness are combined on "The Feed-back" by The Group (aka Gruppo di Improvvisazione Nuova Consonanza, featuring Ennio Morricone), and also Armando Sciascia's suspenseful "Circuito Chiuso" is pretty eerie too. Both are from Italy, where it seems that it's hard NOT to sound like you're scoring a phantasmagoric horror flick a la Goblin. Also, we love love love the grandiose extended electro-funk from Magmoid progsters Eskaton that closes out the disc. But why keep writing about this, you know you need it - unless your record collection already includes all these rarities, and there's no way it does.
Lovingly compiled with the help of DJs like Cut Chemist and Stone's Throw's Egon, Psych Funk 101 is truly a lesson in, well, a variety of awesome vintage funkiness, in the tradition of other cool comps like Prog Is Not A Four Letter Word, Obsession, Trap Door, and the Afro-centric Love's A Real Thing. Housed in a handsome digipack, it boasts a thick, 36 page booklet featuring a two-page spread on each track, with full color repro of the original LP or 45 sleeve from whence the cut originated, along with a page of text giving more info than you'd expect.
FYI this also came out on vinyl, but was gone so fast, we don't have any to list. However, we are told it is being repressed, soon we hope...
MPEG Stream: PETALOUDA "What You Can Do In Your Life"
MPEG Stream: OMAR KHORSHID "Rakset El Fadaa"
MPEG Stream: ESKATON "Dagon"

V/A Psych Funk 101: A Global Psychedelic Funk Curriculum (World Psychedelic Funk Classics) 2lp 17.98
Now available on vinyl! Yay!
Looking at the cover of this comp, what catches our eye? Well, of course the words PSYCH and FUNK in big electric pink letters. Pretty much had us right there, we're easy like that. But then the fine print on the sticker on the front adds an extra tingle of excitement: "None of these tracks have ever been reissued"! So what we have here is a survey course on some obscure shit, an international collection of freaky, fuzzy, funky jams from the golden years, circa 1968-1975 or so, mostly from groups we'd never heard of before. The ones did know were a good sign, being super groovy and decidedly eccentric. (Though we do have to point out that at least a few of the cuts here actually have been reissued before, that's how we knew 'em!). Here's the lineup: Hunsu Ozkartal Orkestrasi (Turkey), Kukumbas (Nigeria), Mulatu Astatke feat. Belaynesh Wubante and Assegedetch Asfaw (Ethiopia), Kim Sun (South Korea), Petalouda (Greece), Mehr Pooya (Iran), Staff Carpenborg and The Electric Corona (West Germany), The Group (Italy), Armando Sciascia (Italy), Wadih Essafi (Lebanon), Omar Khorshid (Egypt), Metin H. Alatli (Turkey), George Garanian with The Melodiya Jazz Ensemble (Russia), and Eskaton (France). 14 tracks in all, all of 'em b to the a to the d to the ass. Get ready for plenty of percolating percussion, infectious bass lines, analog synth buzz, chicken scratch guitar, greasy organ, drugged out FX, and in many cases Middle Eastern or African or other 'exotic' ethnic elements as appropriate to their nation of origin. Highlights are almost impossible to pick. All the African stuff is killer (Ethiopiques fans take note), so are the Turkish tracks (you want weird? check out how the Metin H. Alatli cut somehow segues from Richard Strauss Also Sprach Zarathustra 2001: A Space Odyssey monolith music to stoned cocktail bellydance improv!!), so is everything else. We dig how eerieness and jazziness are combined on "The Feed-back" by The Group (aka Gruppo di Improvvisazione Nuova Consonanza, featuring Ennio Morricone), and also Armando Sciascia's suspenseful "Circuito Chiuso" is pretty eerie too. Both are from Italy, where it seems that it's hard NOT to sound like you're scoring a phantasmagoric horror flick a la Goblin. Also, we love love love the grandiose extended electro-funk from Magmoid progsters Eskaton that closes out the disc. But why keep writing about this, you know you need it - unless your record collection already includes all these rarities, and there's no way it does.
Lovingly compiled with the help of DJs like Cut Chemist and Stone's Throw's Egon, Psych Funk 101 is truly a lesson in, well, a variety of awesome vintage funkiness, in the tradition of other cool comps like Prog Is Not A Four Letter Word, Obsession, Trap Door, and the Afro-centric Love's A Real Thing. Housed in a handsome digipack, it boasts a thick, 36 page booklet featuring a two-page spread on each track, with full color repro of the original LP or 45 sleeve from whence the cut originated, along with a page of text giving more info than you'd expect.
MPEG Stream: PETALOUDA "What You Can Do In Your Life"
MPEG Stream: OMAR KHORSHID "Rakset El Fadaa"
MPEG Stream: ESKATON "Dagon"