D Untitles (Soul Static Sound) cd 14.98
Pleasant, soundscapey abstract electronica from Soul Static head honcho Darryl "D" Moore (who we admire for his collaboration with To Rococo Rot). Nice, but a bit short for a purported "full-length": 5 tracks, 20 minutes.

D Untitles (Soul Static Sound) lp 12.98
Pleasant, soundscapey abstract electronica from Soul Static head honcho Darryl "D" Moore (who we admire for his collaboration with To Rococo Rot). Nice, but a bit short for a purported "full-length": 5 tracks, 20 minutes.

D!O!D!O!D! Ghost Temple (PSF) cd 16.98
The latest from Tokyo's PSF label isn't one of their usual offerings of free jazz, outsider improv folk, or garage psych... it's not even "Japanese noise". It's actually Chinese noise. Not that that sounds much different from the Japanese variety! The oddly named D!O!D!O!D! are a raucous n' rowdy guitar and drums duo hailing from Hangzhou, China. Guitarist Li-Jianhong and drummer Huang Jin lay it on thick here, freaking out with the best of 'em. Crashing, clattering drum battery versus scrabbling, feedback guitar overload. Non-stop madness. If loud n' noisy improv is your thing, if you dig Hijokaidan and Ascension and Rudolph Grey and Harry Pussy and suchlike skronk and skree, you'll be happy PSF hooked up with these two frenzied Chinese noisniks to bring you this disc. Includes liner notes in English translation.
MPEG Stream: " UnUnn?"
MPEG Stream: "Meen_Mo"

D'ANGELO, ANDREW & JAIME FENNELLY Duets: Terpsichorea #2 (Falcta-Galia / Transparency) cd 14.98
An improv duo from Brooklyn, New York. D'Angelo (who has several solo recordings to his credit) plays alto sax and bass clarinet, whilst Fennelly plays double-bass. But both guys also manipulate their acoustic sounds electronically. Doubtless they could stir up quite a racket with their instruments alone, but the PowerBook & electronic effects processing adds even more texture (spacey, rumbling) to their scraping, squealing interplay of horn and bass. We wouldn't try to sell this to anyone not already into the whole avant-skronk free jazz thing, but if that's your bag, give these guys a listen.
RealAudio clip: "Is #8"
RealAudio clip: "Improvisation #1"

D-84 Pirate Planets 3-16-99 (Phthalo) cd 13.98
PHTHALO 18. D84 is the work of local powerbook technician Blevin Blechtum (one half of Blechtum From Blechdom along with Kevin Blechdom... just to keep everything straight). For another non-CDr release from Phthalo (keep 'em comin' Dmitri!), D84 massproduces percolating electronic rhythmic inventions culled from lots of expressive sample manipulations. Layers of buzzing electrostatic droning flange nervously next to
references to the stochatic electronics of academic circles (after all both Blechtum & Blechdom did go to Mills). Fans of Matmos are requested.

D. W. HOLIDAY Technical Difficulties, Under The Influence... (Three Ring) cd 8.98
An impressive third album! The trio known as D. W. Holiday (yes, they're a band not an individual!) have been around since 1992. For well over a dozen years, they've been crafting their particular brew of darkly brooding spacey rock. Brings to mind a cross between the Flaming Lips, Pink Floyd and maybe Animal Collective too. A novel side note: there will soon (if not already) be two versions of this band -- one here in SF (the local roster currently includes former members of two other Bay Area bands, ex-Slow Poisoners drummer Chris and Ex-Bother bassist/guitarist Djuna) and one in Minneapolis -- with different lineups playing the same set of songs and everything. The reason? Band member Craig recently moved east, and simply didn't want to sever his longstanding musical ties.


MPEG Stream: "No Diving"
MPEG Stream: "TDUTI"

D.A. Odeon (Olde English Spelling Bee) lp 22.00
Of all the dark, drone-y, druggy synthiness that's been popping up lately (and believe us, it's a LOT), this lp from mysterious Los Angeles duo D.A. is most definitely our favorite. A heady collection of dark and dreary, lush and spaced out sci-fi synth creep that tapes into classic Goblin soundtrack music, the best John Carpenter scores, and mixes in plenty of modern lysergic lo-fi experimentation, conjuring up some of the most tense and dramatic and hypnotic sounds we've heard in ages.
Like some strange mix of Zombi and Expo '70, but with a hint of new age-y drift that makes these songs sound like they could only be the music from some lost eighties film, only the visuals could never hope to match this haunting otherworldly music.
Looped synths are looped into slow shifting swells, pulsing over a bed of softly swirling minor key tension, alien tones, blurred buzz and dense shimmery drones, shot through with moody melodies, laced with super spare abstract percussion and everything wrapped in a gauzy warmth, total kraut drone new age soundtrack bliss.
The second side changes gear toward the end, evolving into a sound akin to Godspeed meets Zombi meets SUNNO))), a thick thick buzz wrapped around twisted looped melodies and all sorts of simulated haunted forest sound effects, growing ever more harrowing, ominous and dramatic, and surprisingly, yet subtly heavy.
The flipside is much more minimal and abstract than the A side, but no less intense and mysterious. Reverbed piano is sent drifting into blackness, tons and tons of space, softly wheezing organs, deep muted tones, that distinctly eighties sounding bass pulse, long thick swirls of softly distorted synth buzz, tinkling high end tones, all of that gives way to another thick, and surprisingly heavy space synth drone, a starlit slow motion swirl, abstract, super space-y, dark and emotional, tense and INtense, it still boggles the mind that filmmakers aren't constantly on the lookout for groups like this, whose cinematic soundtrack ambience is way more compelling and original and ruling than 90 percent of the music that actually ends up in movies. But who needs the movies, best to just throw this on, close your eyes, and let these sounds ooze into your consciousness, creating a fantastical and unreal world all for you, populated with far out sights, worthy of these far out sounds.
Incredible hand silk screened, ultra thick card stock sleeves, LIMITED TO 400 COPIES, each one hand numbered.

D.A.F. (DEUTSCH AMERIKANSICHE FREUNDSCHAFT) Das Beste Von D.A.F. (Mute / Grey Area) cd 14.98
Deutsch Amerikansiche Freundschaft (German American Friendship) or better known as D.A.F. were one of those key early electronic groups that provided the missing link between Cold Wave Minimalism and German Industrial Techno. They, themselves called it EBM or Electronic Body Music. Formed in 1977, out of weirdo art music outfit, Der Plan, D.A.F. started out as a five piece group pioneering the new wave of German Industrial music two years before Einsturzende Neubauten. But after their first two albums, the group quickly slimmed themselves down into the efficient two man sequencer team of Robert Gorl and Gabi Delgado. Playing up themes of Nazi fetishization and hardcore homosexual sex, with the spare and sometimes brutal production of krautrock pioneer, Conny Plank, D.A.F.'s songs were massive underground club hits in the early eighties. If anyone remembers John Dwyer's shortlived "fauxmosexual" industrial-electro joke band, Zeigenbock Kopf, he pretty much ripped D.A.F. off wholesale, if somewhat poorly! This "best of" covers the three records D.A.F. made for Virgin between 1980-1982, Alles Ist Gut, Gold Und Liebe, and Fur Immer, altogether ignoring their Industrial beginnings (sadly), as well as their later 2006 incarnation (thankfully). But it is this fertile period that D.A.F. became famous for, and it's probably a more consistent listen as a whole than if all periods of the group were represented. Fans of groups like Cold Cave, Cut Copy or any of the coldwave / post-punk comps from Belgium, France and Germany, should definitely check this out!
MPEG Stream: "Was Ziehst Du An Heute Nacht"
MPEG Stream: "Der Räuber Und Der Prinz"
MPEG Stream: "Prinzessin"

D.J. REVOLUTION In 12's We Trust (Millenia Music) cd 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

D.W. HOLIDAY Fish And Flying Creatures (Three Ring Records) cd 14.98
Back in 2004 D.W. Holiday released their third album Technical Difficulties, Under The Influence. At that time the core members Craig Clarke and Daniel Crowell made it known that they were going to become a two city musical entity with full bands performing under the same name in SF and Minneapolis. Now two years later they're ambitions carry on into the recorded realm with the gorgeous, shimmering, magical Fish And Flying Creatures. D.W. Holiday blossoms luminous like a deep sea jellyfish, bringing together sumptuous orchestral pop with slightly twee male vocals (a la Flaming Lips or Sparklehorse) and atmospheric shoegazerly guitar washes (like Spiritualized or Jesus And Mary Chain). So haunting and lovely! One thing though, while we're all for the insertion of incongruous elements, the odd IDM track that pops up halfway through the album seemed like a rather jarring interruption. Ah, but it is a minor bump in what is for the most part a languidly swirling shadowy affair.
MPEG Stream: "Every Beat Of Your Heart"
MPEG Stream: "Year Of The Dog"

D1 Missin'/Cocaine (Tempa) 12" 10.98

D1 Trail Run (Tempa) 2x12" 17.98

D12 D12 World (Shady/Interscope) cd 17.98

D12 Devils Night (Shady / Interscope) cd 17.98
No one wanted to like Eminem, but we all sort of did, at least musically (definitely not lyrically/politically) and the same holds true for Eminem's 'band' D12. With all the hype and the controversy, you just sort of want to pretend they don't exist, but goddamn if this record isn't fucking great. I mean just listen to the 'hit' 'Purple Pills' (stupidly changed to 'Purple Hills' for radio/MTV): the crazy loop, the harmonica (!) and the weird chorus: '..la la somethig something, mumble, mumble....). Awesome. And unfortunately, as always, there's some stupid racist homophobic shit, like on most rap records, but the music is so great, and some of the rapping is so weird and some of the rappers are so funny, it's hard not to get sucked in. Big thumbs up.
RealAudio clip: "Purple P****"

DA SILVA, ANA The Lighthouse (Chicks On Speed) cd 15.98
Please please do not be deterred (as we almost were) by the fact that this was released on Chicks On Speed's label. Although we're admittedly not the biggest fans of those gals' music, we've gotta give them props for good taste. Besides this sounds absolutely nothing like C.O.S.!
Ana Da Silva was one of the original members of the seminal post-punk female band The Raincoats, and this is her first solo release. We're happy to report that although this is quite different and considerably more delicate music than that of her old band, some of those Raincoats angularities still linger. The subtly eccentric minimal folk pop of The Lighthouse comes across as sounding not unlike a wonderful hybrid of Bjork, Young Marble Giants and maybe even some early Residents too.
This truly solo effort (she wrote, performed and produced it all herself) is comprised of vocal songs (standouts include "Running In The Rain" and the title track) and a beautiful instrumental titled "Hospital Window" (a video is included for this song too!) -- all of which she crafted on both acoustic and electronic soundmakers that flicker and flutter like moth wings near candlelight. If you've taken a liking to the recent avant-folk scene (Joanna Newsom, Vetiver, Devendra Banhart and many of the Jewelled Antler Collective) and/or find the abovementioned artists tickling your fancy, do yourself a favor and grab this now! Recommended!
MPEG Stream: "Running In The Rain"
MPEG Stream: "The Lighthouse"

DA WILLYS Get Ugly (Leather Lung) cd 10.98
Every now and again, it's always healthy to rock out to some good, old fashion, trashy, hard hitting, fuzz drenched garage rock. All the better if the band is trashy as heck, we're talkin' Stooges meets the Misfits, or something like that. Either way, Da Willys is a garage punk machine, too cool for school with a KILLER female vocalist who sounds remarkably like to Danzig. YES! Pretty straight-forward stuff, guitar driven songs full of drunken swagger and bad boy (or girl) aggression and raw energy. Exactly how we like it.
MPEG Stream: "NY Stomp"
MPEG Stream: "What Dey Say"

DACM Showroom Dummies (Mego) cd 16.98
"Showroom Dummies" is the latest performance piece developed by the Grenoble, France dance company Groupe DACM. The acclaimed organization is known for its maverick and unorthodox approach in their use of new media and radical experimentation. Don't know too much about the full story behind "Showroom Dummies", the images accompanying the Mego packaging bring to mind a macabre Vanessa Beecroft performance. In conceptual essence, it places characters -- based on icons of fiction Wanda Von Sacher-Masoch and Yvonne, Princess Of Burgundy -- in situations of submission and resistance, studying the fine line between desire and disgust. In their attempt to complement the confrontational nature within these themes of repulsion and erotism, Groupe DACM had employed the notoriously abrasive (and confrontational in his own right!) Peter Rehberg aka Pita. Unlike the full on scathing aural tornado prevalent in his solo recordings and with Ramon Bauer, Rehberg splices snippets of his aural shrapnel into rhythmic repetitive patterns of subtlety. Perhaps the involvement of Japanese musician Noriko Tujiko in early constructions of the pieces could explain the reserved intensity. However, this release does not credit her for any part of the production, though she is given an acknowledgement of gratitude. Having said that, Rehberg is still extremely effective in his own attempt to exploit the dichotomy of harshness within a docile and inviting arrangement, the pieces here subversively insert a sense of intemperance in a "safe" habitat. Somewhat suspicious of his intent in creating linear cosmopolitan "dance music" under the guise of performance art, some of these pieces could very well be mistaken for fluid dancefloor rhythm tracks, aesthetically resembling a chance meeting between Pan Sonic and Merzbow (like that hasn't happened before). At least one track is an obviously deconstructed trance techno track, pummeled out of its own melody into another dimension. Ultimately, Rehberg regurgitates these consummations into his own beast child. Frigid and austere, yet wholly engaging and seemingly harmless on its surface, "Showroom Dummies" lures you into its web only to chew you up and spit you back out. Lovely.
RealAudio clip: "04"
RealAudio clip: "07"
RealAudio clip: "09"
RealAudio clip: "11"

DACM Stereotypie (Asphodel) cd 13.98

DADA LIVES s/t (Nil) cd-r 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
For years, Darren Tate has made his way into Colin Potter's studio for help in reconstructing field recordings and improvised events for both the dronological investigations of Ora and Monos. Rarely would you find in those recordings much indication that Potter has amassed a huge battery of analogue synths, effects, and filters. This is the first document for the Potter / Tate project Dada Lives which focuses upon that collection of gear. The instrumentation has changed from manipulated field recordings to analogue synths, but the compositional tactics of slow hypnotic drones remains. Plastic bleeps fire through slow proccessions of aerated electronic sweeps, sounding a lot like the '70s era Conrad Schnitzler recordings. Limited to a whopping 50 copies.
RealAudio clip: "Untitled"

DADDY'S CURSES s/t (Prophecy Connection) cd-r ep 4.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Aquarius Records is proud to present the newest in field recording fuckery: "Daddy's Curses". The disc is exactly as the title implies, a recording of someone's father cussing his brains out. Apparently, in 1987, an enterprising young son surreptitiously recorded his father as he attempted to repair a piano. For ten solid minutes the father lays out a steady stream of profanities ranging from the milquetoast Ned Flanders end of the spectrum to out and out Raymond & Peter nastiness. The combination of the two from one mouth is absolutely pant wetting at times, such as when our protagonist locks onto a repeated "Gosh Darn It!!" after having been laying out a heavy stream of "You Motherfucker" style potty mouth. For better or worse, the piano itself is never heard throughout the recording. The closest thing we get to hearing it are repeated strikes with what sounds like a hammer against maybe the piano's frame, eventually resulting in pieces of wood falling to the floor.
RealAudio clip: "Excerpt 1"
RealAudio clip: "Excerpt 2"

DADDYLONGLEGS Horse (Palm Pictures / Pussyfoot) cd 16.98
This collaboration between Howie B and Naked Funk is surprisingly good, reminding us of Two Lone Swordsmen-style melodic expansive electronica.

DADFAG Scenic Abuse (Broken Rekids) cd 11.98
With so much of San Francisco's music scene lately dominated by blown out garage rock and charming garage pop it's kind of refreshing to encounter a local band operating in a completely different orbit. Dadfag carry the spirit of dirty, sloppy and dangerous damaged punk. Like Lydia Lunch jamming with The Fall and Flipper or Pretty On The Inside era Hole. Scenic Abuse is filled with urgent and irreverent sounds that tap into the more warped and reckless side of artpunk glory. Like early Bikini Kill stripped of its righteousness and doused instead in danger and unpredictability. We love how within their uptempo, fully charged, fucked up sound there is still room for variety, as they show different sides to their sound throughout the record. We're also reminded a bit in spirit of the now defunct San Francisco relentless noise punk band So So Many White White Tigers. We're always stoked to see folks find a way to use the influence of punk in a way that doesn't feel tired or played out, and Dadfag have succeeded quite nicely in bringing their own energy and vision to a legacy that will always ring so loud and true.
MPEG Stream: "Interrogation"
MPEG Stream: "Down Baby"
MPEG Stream: "Repetition"

DADFAG Scenic Abuse (Broken Rekids) lp 11.98
With so much of San Francisco's music scene lately dominated by blown out garage rock and charming garage pop it's kind of refreshing to encounter a local band operating in a completely different orbit. Dadfag carry the spirit of dirty, sloppy and dangerous damaged punk. Like Lydia Lunch jamming with The Fall and Flipper or Pretty On The Inside era Hole. Scenic Abuse is filled with urgent and irreverent sounds that tap into the more warped and reckless side of artpunk glory. Like early Bikini Kill stripped of its righteousness and doused instead in danger and unpredictability. We love how within their uptempo, fully charged, fucked up sound there is still room for variety, as they show different sides to their sound throughout the record. We're also reminded a bit in spirit of the now defunct San Francisco relentless noise punk band So So Many White White Tigers. We're always stoked to see folks find a way to use the influence of punk in a way that doesn't feel tired or played out, and Dadfag have succeeded quite nicely in bringing their own energy and vision to a legacy that will always ring so loud and true.
MPEG Stream: "Interrogation"
MPEG Stream: "Down Baby"
MPEG Stream: "Repetition"

DAEDELUS Denies The Day's Demise (Mush) cd 13.98
Daedelus has such great taste! From the cover art (a frame borrowed from Winsor McCay's classic Little Nemo In Slumberland comic strip) to the wide range of influences, you can these all shape his amazing and eclectic blend of uber smart and sharp post modern electronica/hip-hop. While some folks like Scott Herren (Prefuse 73, Savath & Savalas, etc) need many side projects to fit the needs of a particular sound & style they want to explore, Daedelus has mastered bringing it all together under one colorful umbrella. Brazilian mamba meets warped out glitches meets post rock momentum meets anything and everything. From start to finish this album has lifted us into the air and into a world where you keep moving and the colors keep changing and somehow it always makes perfect sense. This is for sure the most assured and coherent album in an already impressive back catalog. Daedelus has proven with this release that he is a creative musical mind fresh in his prime.
MPEG Stream: "Bahia"
MPEG Stream: "Light's Out"
MPEG Stream: "Never None The Wiser"

DAEDELUS Exquisite Corpse (Mush) cd 14.98

DAEDELUS Her's Is > [sic] (Phthalo) cd 12.98
L.A. native Alfred Weisberg-Roberts is Daedelus, and he apparently wasn't as sure about the success of this project as was Dimitri from the Phthalo label, who claims he had to pry this out of Weisberg-Roberts fingers in order to release it. "Her's Is> [sic]" is a dark electronic narrative riddled with strange answering machine recordings from a dosed-up raver girl who thinks she's a poet. Rapid rhythmic cuts and muddled electronic calliope melodies mutate into the harsh, almost industrial aesthetic of the early Rephlex catalogue. For an electronic record, this has the uncanny lo-fi feel, as if this album's originated on a 4-track rather than a computer. Odd to say the least. We haven't yet decided who (Alfred or Dimitri?) was right about the merits of this recording...

DAEDELUS / BOOM BIP 2806:42:12 (Mush) 7" 5.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
We all loved Donnie Darko. And apparently so did Boom Bip and Daedelus, who decided to get together and make a couple tracks inspired by and perhaps borrowing from the film. Boom Bip's side is a throbbing ambient wash, like listening to Crash Worship scoring a love scene from Sixteen Candles. Propulsive tribal drumming underpins huge shifting slabs of new wave-tinged ambience, minor key and melancholy. Sounds like it could have been lifted wholesale from the actual score! Daedelus' track is a skittery moody, down tempo late night electronica workout. Hip hop infused soundscapes, dreamy and dark with gorgeously mournful piano (sampled from the film) sounding like a track Shadow could've come up with in his prime. Limited to 2000 copies, never to be repressed.

DAFELDECKER / KURZMANN / FENNESZ / O'ROURKE / DRUMM / SIEWERT (Charhizma) cd 16.98
The improv electronics / laptops / horns trio of Christian Fennesz, Werner Dafeldecker, and Chistof Kurzmann has been joined by stalwarts Jim O'Rourke, Kevin Drumm, and Martin Siewert. While this is not as annoying as it could be (something we always fear from the presence of Mr. O'Rourke and/or laptops), this sounds at times like far too many people working together who are best suited to working alone in front of the computer, getting carpal tunnel syndrome and losing all the pigment in skin and eyes. Then again, we have to encourage them getting out of the house and all. And there's plenty of darkness here anyway. Glitchy hiss rumble drone, like malevolent frogs croaking around a noisome sound bog. Quite pretty if you're in that "mood". Not jazzy in the slightest, so don't let the words "improv" and "horns" above mislead you.

DAFELDECKER, FUSSENEGEGR, & KOVACIC Printer (Durian) cd 16.98
This spartan new music / improvisation trio, made up of Durian founders Werner Dafeldecker and Uli Fussenegger, both on acoustic bass, and Dieter Kovacic adding curious soundtexts on slow moving turntables (much like Otomo Yoshihide's turntables at a turtle's pace) create an album that is more creaking textures and subtle tones, than musical passages.

DAFELDECKER, HAUTZINGER, TILBURY, SACHIKO M Absinth (Grob) cd 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

DAFELDECKER.LANG Lichtgeschwindigkeit (Grob) cd 15.98
Bowed bass tones, sustained pipe organ chords. "Lichtgeschwindigkeit" is another attempt at attaining the drone supreme, and it's a good one, evocative of absolute darkness -or- blinding light, either way totally all-encompassing. This disc from Austrians Werner Dafeldecker (whom we've encountered before playing with the likes of Dean Roberts, Taku Sugimoto, Christian Fennesz, Jim O'Rourke, Kevin Drumm and many others) and Klaus Lang (whom we haven't) is a slowly developing, moodily pulsating, hour-long dronescape broken into seven tracks. Blissful, yet haunting. Gently soothing, yet massively ominous. There's enough variation soundwise to hold one's interest for the full hour -- for instance, the foghorn sounds and whistling blips of track five stand apart from the depths-of-space hiss of track six. We're told this was recorded in a church, on a snowed-in winter night. That seems about right. Recommended to all drone/improv fans for sure!
MPEG Stream: "1000101"
MPEG Stream: "1000110"

DAFT PUNK Alive 2007 (Virgin) cd 17.98
It's been over 6 months since Daft Punk played in San Francisco but anyone who was there will never forget it. Daft Punk proved they are one of the greatest live experiences on the planet. From an immaculate trance inducing light show, to a futuristic pyramid shaped console that they were housed in and then of course the loud, supremely danceable songs that they blasted through the amphitheater as thousands of people grinning wildly, completely let themselves go, dancing with ecstasy and an adrenalized joy that we rarely ever get to experience. Alive 2007 captures that show (and that recent tour) perfectly. It's pretty much the same set they played here as they morph many of their songs into one new track which gives a new life to many of their already well known songs from their three albums.
We're sure that at least one Daft Punk record has found its way into your subconscious (Discovery will always be our favorite!) as they are a duo who have discovered an amazing way to be accessible to such a wide range of people (ravers, metal heads, hip-hop kids, gay club scene, indie rockers, ordinary joes, etc) yet create music with such charged and creative energy. They manage to bring elements of disco, prog, house, psychedelia, funk and rock to a level of ecstatic heights rarely reached in popular music. Long live Daft Punk!!!
MPEG Stream: "Burnin' / Too Long"
MPEG Stream: "Aerodynamic Beats / Forget About The World"
MPEG Stream: "Around The World / Harder Better Faster Stronger"

DAFT PUNK Discovery (Virgin) cd 16.98
One of the best records of all time!!!!!!!!

DAFT PUNK Electroma (Vice) dvd 24.00

DAFT PUNK Human After All (Virgin) cd 17.98
Man, what is it about Daft Punk that makes me want to take my clothes off and freak out like a retarded art-school girl?! Actually, I kinda wish this record, their third, was as dynamic as their last album, Discovery. Some of the tracks on Human After All, however, quickly get into their perfectly produced ironirock/electro groove, then just kind of sit in em for a while, then it stops and a new song begins this process again. But whatever, HAA maintains that awesomely big, totally sexy, electrorockified sound. Robot Rock might be my fave, like a perfect blend of Eddy Grant's Electric Avenue and Def Leppard. Oui c'est bon!!!!
Our French duo, Guy-Manuel de Homem Christo and Thomas Bangalter, obviously enjoy what they do and make music for the sake of making music, sorta like post-modern musical-pharmacists. So tune-in, turn-on and drop-out man.
MPEG Stream: "Human After All"
MPEG Stream: "Robot Rock"

DAHL, ANDERS Habitat (Kning Disk) cd-r 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Last list (#249) we reviewed the quite lovely Hundloka, Flockblomstriga 1 cd on Hapna by this Swedish sound artiste... in which we mentioned another release of his, devoted entirely to FAKE field recordings of nature sounds. That is, what sound remarkably like real bird calls and frog croakings and insect buzzings but are totally artificial constructs made by Dahl himself. No actual creatures involved. That's this 36 minute disc, Habitat. And it's fantastic, if you (like us) revel in the organic textures of outdoorsy soundscapes. Knowing how it was made -- at home with computer, electronics, accordion, recorder, speakers, toys, etc. -- is an interesting twist, but concept aside it's just a really nice listen. And (almost) totally convincing. If you didn't know better you'd imagine Dahl stalking critters in the wild with his microphone...but there'd be something strange, sorta plastic and brightly, wrongly colored about the landscape, enhanced with CGI animation perhaps. Very pleasant and somehow peculiar...
This cd-r release is limited to 100 numbered copies, of which we got the last ten of 'em!! The label is sold out, we won't be getting any more...
MPEG Stream: "Habitat (excerpt)"

DAHL, ANDERS Hundloka, Flockblomstriga 1 (Hapna) cd 16.98
Sweet! Hundloka (named for a flowering weed known in English as Cow Parsley) is another wonderful, textural, abstract release on Sweden's Hapna label, the first for field recordist/sound manipulator/visual artist Anders Dahl of Sweden, who is quite at home there (on Hapna, we mean, though he's also Swedish), alongside such artists as Tape, 3/4hadbeeneliminated, and Giuseppe Ielasi. At home in a realm of dreamy, twilit soundscapery full of snap, crackle, and drone. The three untitled tracks here, all but the middle one quite long (19:45, 6:22, and 12:37 respectively) are all performed (improvised? composed?) on stringed and wind instruments like guitar, bouzouki, violin, and recorder, also with the use on one track of computer and on another of "prepared speakers", plus percussion by Henrik Olsson. Yet the mysterious buzzingness of this sounds a lot like Dahl has woven in some field recording tapes as well. However, since he's apparently constructed *fake* nature sound recordings (digital birds!) in the past, we suspect that it's all Dahl here, no help from swarming insects or twittering birds or frolicking woodland creatures... It's all very gorgeous and glitchy, with guitar pluckings and gentle electronic hums, quiet and calm but for some moments of drone drama and surprise percussive attack.
MPEG Stream: "track 2"
MPEG Stream: "track 1"

DAISIES OST (Finders Keepers) cd 23.00
Following the rabidly received reissue of the soundtrack for Jaromil Jires' early '70s treasure Valerie And Her Week Of Wonders, the folks at Finders Keepers keep the Czechoslovakian cinema adoration flowing. Here is the freshly reissued soundtrack to Cup's all-time favorite film -- Vera Chytilova's 1966 Czech New Wave masterpiece Daisies (aka Sedmikrasky)! It's an eye-popping work that incorporates an astoundingly broad variety of art styles Dada, absurdist, pop, cut-ups, collage, psychedelia, and so much more... all while delivering a potent commentary on the dark state of the world (which is as valid today as it ever was!). Genuinely radical and so ahead of its time, 'tis the Czech way that beneath a seemingly light-hearted, dreamy and charming exterior, lies a black wit and a mighty subversive heart.
The Daisies soundtrack commences with the insistent, pinched sound of a high-pitched horn and militant snare drum introduction, then just like the two main characters, the music tumbles and frolics and raises a giddy ruckus in a Technicolor kaleidoscope of fleeting melodic vignettes. Along with traditional instrumentation -- brass, woodwinds, strings, vocals, etc -- keep an ear out for the musique concrete scissor snips and a conversation between a typewriter and reedy woodwinds. They are definitely two particular highlights of both the film and soundtrack. Accompanied by processional/funereal march formalities, jazzy escapades, classical choral geysers, dainty minuets, Stalling-esque cartoony themes, and rambunctious surfy shimmy pop, the two female leads kick up their tipsy heels in a supper club effectively disrupting a ragtime flapper dance number, play with their food and toy with stuffily suited elder gentlemen, leave suitors hanging on the telephone, cram themselves gleefully into the tight spaces of a dumbwaiter, and... oh we don't want to give any more away. Must see! Must see! Nevertheless, taken sans the film's visuals, this soundtrack makes for a deliriously delightful, discombobulating listen all on its own! Ultra artful and fun! Feverishly wonderful, and fervently recommended!
MPEG Stream: "Sedmikrasky"
MPEG Stream: "The Juggler"
MPEG Stream: "Man With A Typewriter"

DAISY CHAIN, THE Straight Or Lame (Sundazed) cd 14.98

DAKOTA OAK Am Deister (Twisted Nerve) cd 16.98
From the same label that brought us Badly Drawn Boy, comes the UK's next big thing, Dakota Oak. Really pretty, kind of meandering folky / jazzy electronica, a bizarre mix of the Beta Band, Calexico, shimmery late night jazz, and Vince Guaraldi (of Peanuts theme fame). Sounds like it could be bad, but it's actually pretty cool.
RealAudio clip: "Da Wollen Wir Him"
RealAudio clip: "J Love Buses & Girls"

DAKTARIS Soul Explosion (Daptone) cd 14.98
Fela Kuti lovers take note! This is one of the best post-Fela Kuti inspired Afro beat records of the last decade for sure. Originally released in '98 just a year after Fela passed away, this was sadly the one and only album released by The Daktaris. Melding Afro beat, soul and funk with total perfection these are songs that make you walk with better posture and with total purpose. They pay homage to their heroes with amazing renditions of James Brown's "Give It Up Turnit Loose" as well as the aforementioned Fela Kuti's "Upside Down." Like Antibalas this was a group carrying the flame that Fela lit with total devotion and a commitment to his spirit. Polyrhythms that will make your body shake, your heart race, and you'll be smiling all over. Good stuff!
MPEG Stream: "Musicawa Silt"
MPEG Stream: "Upside Down"

DAKTARIS, THE Soul Explosion (Daptone) lp 15.98
NOW AVAILABLE ON VINYL!!
Fela Kuti lovers take note! This is one of the best post-Fela Kuti inspired Afro beat records of the last decade for sure. Originally released in '98 just a year after Fela passed away, this was sadly the one and only album released by The Daktaris. Melding Afro beat, soul and funk with total perfection these are songs that make you walk with better posture and with total purpose. They pay homage to their heroes with amazing renditions of James Brown's "Give It Up Turnit Loose" as well as the aforementioned Fela Kuti's "Upside Down." Like Antibalas this was a group carrying the flame that Fela lit with total devotion and a commitment to his spirit. Polyrhythms that will make your body shake, your heart race, and you'll be smiling all over. Good stuff!
MPEG Stream: "Musicawa Silt"
MPEG Stream: "Upside Down"

DALE, JON Rotten Sun (Rhizome) cd-r 12.98

DALE, JON Son d'Or (Rhizome) cd-r 7.98

DALEK A Purge of Dissidents (Ipecac) book+DVD+CD 31.00
48 page book.
10 animation DVD.
30 song soundtrack.
Some of the dissidents:
Melvins
Grant Hart
David Yow
Jon Spencer

DALEK Abandoned Language (Ipecac) cd 15.98
Tons of amazing hip-hop has come through here lately. We were all a-flutter over the most recent J. Dilla and El-P albums. And now we have the fourth album from Newark, NJ's Dalek. While not as mind blowing as either of those two, it's still a pretty cool disc. Minimalist rhythms follow the old-school bass/snare/bass-ba-bass/snare pattern and land Abandoned Language consistently somewhere between Tribe Called Quest and the Fugees in BPM's, but somehow the record fails to deliver the lyrical depth those groups thrived on. However, the aptly titled "Abandoned Language" is chock full of super interesting samples and strange scratching, at a speed perfect for contemplative head bobbing. This album definitely finds Dalek forging new sonic paths and we're curious to see where they'll lead next...
MPEG Stream: "Paragraphs Relentless"
MPEG Stream: "Stagnant Waters"

DALEK Abandoned Language (Ernest Jenning) 2lp 21.00
Tons of amazing hip-hop has come through here lately. We were all a-flutter over the most recent J. Dilla and El-P albums. And now we have the fourth album from Newark, NJ's Dalek. While not as mind blowing as either of those two, it's still a pretty cool disc. Minimalist rhythms follow the old-school bass/snare/bass-ba-bass/snare pattern and land Abandoned Language consistently somewhere between Tribe Called Quest and the Fugees in BPM's, but somehow the record fails to deliver the lyrical depth those groups thrived on. However, the aptly titled "Abandoned Language" is chock full of super interesting samples and strange scratching, at a speed perfect for contemplative head bobbing. This album definitely finds Dalek forging new sonic paths and we're curious to see where they'll lead next...
MPEG Stream: "Paragraphs Relentless"
MPEG Stream: "Stagnant Waters"

DALEK Absence (Ipecac) cd 17.98
It's been almost three years since we've had a full length release from Dalek, which is WAY too long. It's always refreshing to get some new hip hop in that doesn't follow the formulaic patterns that rigidly rule most hip hop releases. Absence is barely a hip hop album at all. Beginning with a 30 second a cappella from Dalek, we're quickly submerged into a wash of beautifully torrential guitar feedback drone and pounding almost metallic drums. From that point on Absence progresses as an album closer to My Bloody Valentine's Loveless, or early Seefeel than to most hip hop albums. Not only in that Absence is lushly layered with droning feedback, keyboard sweeps and grinding blasts of noise, but Dalek's voice tends to get submerged -- way down in the churning murky mix, making his voice just another strange sound swirling and swooping amidst the chaos, and making this record a truly fucked up sort-of-hip-hop record!
MPEG Stream: "Distorted Prose"
MPEG Stream: "Koner"

DALEK Deadverse Massive Vol. 1: Dalek Rarities 1999-2006 (Hydra Head) cd 14.98
Dalek has always represented the flipside to glossy commercial mainstream hip-hop. In fact we remember first hearing them on their Gern Blandsten debut, a label best know in the 90's for releasing hardcore, and spazzy indie rock. It makes sense that Dalek have spent their career on labels that don't usually venture into that sort of sound (Ipecac, Tigerbeat 6, Hydra Head), as their brand of dark and brooding hip-hop has a lot in common with the world of underground rock and beyond. Their eerie and moody vibe borrows as much from psych and kraut as it does the grittier side of hip-hop. In fact they even collaborated with Faust a few years back for a record that's now sadly out of print. This is a great collection compiling a bunch of rarities, remixes and a few previously unreleased tracks. And unless you have hunted down all their 12"s in the past this will probably be the first time you've heard any of this stuff. One of those killer collections that really captures all the elements of what a group is all about. From moody instrumentals to the dark and intense lyrical flow, this serves as either the perfect introduction or a wonderful reminder of what a great and essential voice in the world of hip-hop Dalek represent.
MPEG Stream: "Desolant Peasants"
MPEG Stream: "Vague Collection"