PHARAOH OVERLORD Live In Suomi Finland (Vivo) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. Bow down, people. Just bow down. If extended, repetitive, droned-out krauty stoner prog a la Circle is your thing, then this disc definitely for you, surprise surprise. Sheer hypnosis. Utterly mesmeric. Sounds sooooooooooooo gooooooooooood. It's hard to think of these guys as just a band, the music here seems produced by some organic force. It's a living thing really. A throbbing monster of an album. Just like their sister band Circle, of which they're all members, Finnish psychsters Pharaoh Overlord have built a discography (they're up to six albums now, counting this one) that somehow maintains a core identity yet always does something different each time out. They started off with the stoner rock riff mantras of #1, then went to the mostly subdued noirishness of II, followed that with the live-and-raw Battle Of The Axehammer, then came back with the krautrockingly Circle-like diversions of #3, all before delving into the absurdly headbanging metallisms of #4 that even added vocals to their previously instrumental lineup. So, now what? What next? A second live album, this time called Live In Suomi Finland, recorded in Helsinki in May of 2006. On it the regular Pharaoh Overlord lineup of Jussi, Tomi and Janne is augmented by two more Finnish friends, and special guest Hans Joachim Irmler of legendary krautrockers Faust! His electric organ grind here adds an extra dose of distorted drone to the proceedings. Of the two live PO discs this is definitely the best sounding. It's not as raw and blown-out as Battle Of The Axehammer, it's got better fidelity, but if anything it's even heavier!! Perhaps its the additional "remixing" credited to Irmler, whatever magic he worked in later in the Faust studio definitely makes this more than "just" a live album. There's five tracks here, though it's a very continuously flowing disc... starting with the infectious riffery of "Black Horse" (which has appeared previously only in another live version on Battle Of The Axehammer), followed by two totally new tracks, "Tutankharmony" and "Zero Gravity" that relax the volume and mood a bit with a sense of smokey, improv mystery. Then they launch into "Skyline", the heaviest cut from II, before winding up / blowing out with a quarter-hour rendition #1's "Mangrove". An incredible 50+ minutes all told. Boy, we wish we'd been there! Too bad SF-Helsinki flights aren't quick or cheap...
MPEG Stream: "Mangrove"
MPEG Stream: "Zero Gravity"
PHARAOH OVERLORD The Battle Of The Axehammer (Live) (Last Visible Dog) cd 12.98
The wonderfully named Pharaoh Overlord, as you hopefully know already, is the instrumental psychedelic "stoner rock" side project of Circle's Jussi Lehtisalo and friends. The repetitive pulse of Circle jacked into some amped up, blown out Kyuss-worthy riffage. Needless to say, awesome stuff. Here comes these Finnish freaks' third album, and it's more like their spacey rockin' debut than the more experimental, mellow menace of Pharaoh Overlord II. It's a live record, with versions of two songs from their 1st album and one from their 2nd, plus two new compositions (also rendered live). And the nature of this music means that live may well be superior to studio, due to the element of psychedelic improv exploration at play and the energy being projected. And the speaker shredding "production" as well. Certainly in comparison to their first album, let alone the second, this is somewhat heavier and rawer, a real mantric beat-down from what could be a jackbooted, Iggy-less Stooges, jamming until the drugs run out. A rumbling, bashing, single-minded beast. Not unlike Skullflower's Exquisite Fucking Boredom. The live sound is gritty, super-sludgy, with a bit of that Doktor Kettu murk. Like one big throbbing distorto gland. A Julian Cope wet dream wethinks. Five tracks stretched out over almost one hour. They're marching towards oblivion and you'll be happy to fall in line. Hup hup. The applause from the live audience that ends each track is almost bizarre, not simply because it seems that such outbursts of positivity would have been preemptively silenced by the relentless negatory doom-throb of this music, but also because it doesn't even seem like there should be an audience at all. Pharaoh Overlord should be playing this music high on a mesa somewhere in a blasted desert, heard only by ugly, heavy-lidded lizards. Nice title by the way. The Battle of the Axehammer??? Yeah! Great cover art too.
MPEG Stream: "Mystery Shopper"
MPEG Stream: "Black Horse"